A Responsibility
By Henry Harland
It has been an episode like a German sentence, with its predicate at the end. Trifling incidents occurred at haphazard, as it seemed, and I never guessed they were by way of making sense. Then, this morning, somewhat of the suddenest, came the verb and the full stop.
Yesterday I should have said there was nothing to tell; to-day there is too much. The announcement of his death has caused me to review our relations, with the result of discovering my own part to have been that of an accessory before the fact. I did not kill him (though, even there, I'm not sure I didn't lend a hand), but I might have saved his life. It is certain that he made me signals of distress—faint, shy, tentative, but unmistakable—and that I pretended not to understand: just barely dipped my colours, and kept my course. Oh, if I had dreamed that his distress was extreme—that he was on the point of foundering and going down! However, that doesn't exonerate me: I ought to have turned aside to find out. It was a case of criminal negligence. That he, poor man, probably never blamed me, only adds to the burden on my conscience. He had got past blaming people, I dare say, and doubtless merely lumped me with the rest—with the sum-total of things that made life unsupportable. Yet, for a moment, when we first met, his face showed a distinct glimmering of hope; so perhaps there was a distinct disappointment. He must have had so many disappointments, before it came to—what it came to; but it wouldn't have come to that if he had got hardened to them. Possibly they had lost their outlines, and merged into one dull general disappointment that was too hard to bear. I wonder whether the Priest and the Levite were smitten with remorse after they had passed on. Unfortunately, in this instance, no Good Samaritan followed.
The bottom of our long table d'hôte was held by a Frenchman, a Normand, a giant, but a pallid and rather flabby giant, whose name, if he had another than Monsieur, I never heard. He professed to be a painter, used to sketch birds and profiles on the back of his menu-card between the courses, wore shamelessly the multi-coloured rosette of a foreign order in his buttonhole, and talked with a good deal of physiognomy. I had the corner seat at his right, and was flanked in turn by Miss Etta J. Hicks, a bouncing young person from Chicago, beyond whom, like rabbits in a company of foxes, cowered Mr. and Mrs. Jordan P. Hicks, two broken-spirited American parents. At Monsieur's left, and facing me, sat Colonel Escott, very red and cheerful; then a young man who called the Colonel Cornel, and came from Dublin, proclaiming himself a barr'ster, and giving his name as Flarty, though on his card it was written Flaherty; and then Sir Richard Maistre. After him, a diminishing perspective of busy diners—for purposes of conversation, so far as we were concerned, inhabitants of the Fourth Dimension.
Of our immediate constellation Sir Richard Maistre was the only member on whom the eye was tempted to linger. The others were obvious—simple equations, soluble “in the head.” But he called for slate and pencil, offered materials for doubt and speculation, though it would not have been easy to tell wherein they lay. What displayed itself to a cursory inspection was quite unremarkable: simply a decent-looking young Englishman, of medium stature, with square-cut plain features, reddish-brown hair, grey eyes, and clothes and manners of the usual pattern. Yet, showing through this ordinary surface, there was something cryptic. For me, at any rate, it required a constant effort not to stare at him. I felt it from the beginning, and I felt it till the end: a teasing curiosity, a sort of magnetism that drew my eyes in his direction. I was always on my guard to resist it, and that was really the inception of my neglect of him. From I don't know what stupid motive of pride, I was anxious that he shouldn't discern the interest he had excited in me; so I paid less ostensible attention to him than to the others, who excited none at all. I tried to appear unconscious of him as a detached personality, to treat him as merely a part of the group as a whole. Then I improved such occasions as presented themselves to steal glances at him, to study him à la dérobée—groping after the quality, whatever it was, that made him a puzzle—seeking to formulate, to classify him.
Already, at the end of my first dinner, he had singled himself out and left an impression. I went into the smoking-room, and began to wonder, over a cup of coffee and a cigarette, who he was. I had not heard his voice; he hadn't talked much, and his few observations had been murmured into the ears of his next neighbours. All the same, he had left an impression, and I found myself wondering who he was, the young man with the square-cut features and the reddish-brown hair. I have said that his features were square-cut and plain, but they were small and carefully finished, and as far as possible from being common. And his grey eyes, though not conspicuous for size or beauty, had a character, an expression. They said something, something I couldn't perfectly translate, something shrewd, humorous, even perhaps a little caustic, and yet sad; not violently, not rebelliously sad (I should never have dreamed that it was a sadness which would drive him to desperate remedies), but rather resignedly, submissively sad, as if he had made up his mind to put the best face on a sorry business. This was carried out by a certain abruptness, a slight lack of suavity, in his movements, in his manner of turning his head, of using his hands. It hinted a degree of determination which, in the circumstances, seemed superfluous. He had unfolded his napkin and attacked his dinner with an air of resolution, like a man with a task before him, who mutters, “Well, it's got to be done, and I'll do it.” At a hazard, he was two- or three-and-thirty, but below his neck he looked older. He was dressed like everybody, but his costume had, somehow, an effect of soberness beyond his years. It was decidedly not smart, and smartness was the dominant note at the Hôtel d'Angleterre.
I was still more or less vaguely ruminating him, in a corner of the smoking-room, on that first evening, when I became aware that he was standing near me. As I looked up, our eyes met, and for the fraction of a second fixed each other. It was barely the fraction of a second, but it was time enough for the transmission of a message. I knew as certainly as if he had said so that he wanted to speak, to break the ice, to scrape an acquaintance; I knew that he had approached me and was loitering in my neighbourhood for that specific purpose. I don't know, I have studied the psychology of the moment in vain to understand, why I felt a perverse impulse to put him off. I was interested in him, I was curious about him; and there he stood, testifying that the interest was reciprocal, ready to make the advances, only waiting for a glance or a motion of encouragement; and I deliberately secluded myself behind my coffee-cup and my cigarette smoke. I suppose it was the working of some obscure mannish vanity—of what in a woman would have defined itself as coyness and coquetry. If he wanted to speak—well, let him speak; I wouldn't help him. I could realise the processes of his mind even more clearly than those of my own—his desire, his hesitancy. He was too timid to leap the barriers; I must open a gate for him. He hovered near me for a minute longer, and then drifted away. I felt his disappointment, his spiritual shrug of the shoulders; and I perceived rather suddenly that I was disappointed myself. I must have been hoping all along that he would speak quand même, and now I was moved to run after him, to call him back. That, however, would imply a consciousness of guilt, an admission that my attitude had been intentional; so I kept my seat, making a mental rendezvous with him for the morrow.
Between my Irish vis-à-vis Flaherty and myself there existed no such strain. He presently sauntered up to me, and dropped into conversation as easily as if we had been old friends.
“Well, and are you here for your health or your entertainment?” he began. “But I don't need to ask that of a man who's drinking black coffee and smoking tobacco at this hour of the night. I'm the only invalid at our end of the table, and I'm no better than an amateur meself. It's a barrister's throat I have—I caught it waiting for briefs in me chambers at Doblin.”