Dharmika said, “Wherever I may be born again, may I show you kindness!”[2] [[360]]
[1] Kah-gyur, iv. ff. 232, 233; and Cf. Benfey’s Panchatantra, i., iii., ii., 360.—S. [↑]
[2] This is a variant of the fourteenth story of the fifth book of the Panchatantra, in which figures a bird named Bharanda, having one body but two beaks. The first beak devours an ambrosia-like fruit, which it refuses to share with its companion. The aggrieved beak, out of spite, eats a poisonous fruit and the bird dies. With this may be compared the following passage, quoted from the Muṇḍaka Upanishad by Prof. Monier Williams (Indian Wisdom, p. 42), “Two birds (the Paramātiman and Jīvātman, or supreme and individual souls), always united, of the same name, occupy the same tree (abide in the same body). One of them (the Jīvātman) enjoys the sweet fruit of the fig (or fruit of acts), the other looks on as a witness. Dwelling on the same tree (with the supreme soul), the deluded (individual) soul, immersed (in worldly relations), is grieved by the want of power; but when it perceives the Ruler, separate (from worldly relations) and his glory, then its grief ceases. When the beholder sees the golden-coloured maker (of the world), the lord, the soul, the source of Brahmā, then, having become wise, shaking off virtue and vice, without taint of any kind, he obtains the highest identity.” [↑]
L.
THREE TALES ABOUT ARTISTS.[1]
1. The Ivory Carver and the Painter.[2]
There lived an ivory carver in Madhyadeśa who, after he had carved a few grains of rice made of ivory, travelled with them to the Yavana land, and there took up his abode in the house of a painter. In the absence of the husband, he said to the wife, “Wife of my friend, cook this rice and serve it up to me.”