On Monsieur Gilet's left lies a man whose language is as hard to understand, very nearly, as the Arab's—almost unintelligible—a patois of the Midi. He is a gardener, used only to the care of plants and flowers. He is a big, rugged giant, and so strong, and so silent a sufferer that since his entrance to the hospital he has not made one murmur or one complaint, or asked one service, and excepting when spoken to, he never says a word. Then he gives you a radiant smile and some token of gratitude. They operated on him to-day. There is shrapnel in his eye. He will never fully see his gardens again, and he is so strong and so patient and so able to bear pain, that they operated on him without anæsthetics, and he walked to and from the operating room—a brave, silent, docile giant, singularly appealing.... He is thinking of his gardens, trodden out of all semblance of beauty, for he had been working in the north before the heel of the barbarian crushed out his flowers for ever and blotted out his sight.

III—STORY OF THE BOYS WHO SING "TIPPERARY"

To Mr. F. B. Van Vorst, Hackensack, N. J.

Paris, Dec. 4th, 1914.

My Dear Frederick,

To-morrow will be my last day at the hospital, as I start in the evening for Nice, on my way to Rome. I have lately found myself sole nurse in a ward with nine men....

It is full of English Tommies, and unless you nurse them and help those English boys, you don't know what they are. They are too lovely and too fine for words. One perfectly fine young fellow has had his leg amputated at the thigh—his life ruined for ever. Another is blind, staring into the visions of his past—he will never have anything else to look at again. The chief amusement of these fellows seems to be watching the funerals, and they call me to run to the window to see the hearses covered with the Union Jack or the French flag, and they find nothing mournful in the processions. One Sunday afternoon, as I sat there, leaning against a table in the middle of the room, a few country flowers in a vase near by—for Miss Hickman asks for country flowers for country lads—I asked them if they wouldn't sing me a song that I had heard a good deal about but had never heard sung. "What's that, nurse?" asked the boy without a leg. "Tipperary"—for I had never heard it. "Why, of course we will, won't we, lads?" and he said to his companion, only nineteen, from some English shire: "You hit the tune." And the boy "hit it," and they sang me "Tipperary." Before they had finished I had turned away and walked out into the corridor to hide the way it made me feel, and I heard it softly through the door as they finished: "It's a long way to Tipperary." I shall never hear it again without seeing the picture of that ward, the country flowers and the country lads, and hearing the measure of that marching tune....

I have seen Mrs. Vanderbilt constantly. She seems to be ubiquitous. Wherever there's need, she is to be found—whether in the operating-room, the bandaging-room, or in one of the great wards where she has charge. I have found her everywhere, just at the right moment: calm, poised, dignified, capable and sweet. But none of this expresses the strength that she has been to the American Ambulance since its foundation—the heart and soul of its organization; and her personal gifts to it have been generous beyond words. I don't know what we shall do when she finally returns to America. She animates the whole place with her spirit and her soul....

IV—STORY OF THE "MIRACLES" OF THE BATTLES

Madame Le Roux, New York.