"Get up, Art," I said. I might as well have spoken to a stone wall. I tried again. Putting my mouth to his ear, I shouted, "Stand to, Art. Stand to."
Art turned over, sleeping. "I'll stand three if you like, but don't disturb me," he muttered, and relapsed into coma.
In a few minutes, two or three more shells came along. They were well over the ridge behind us, but were landing almost in the midst of another line of dugouts. I stood gazing at them for a little while., A man passed me running badly. "Come on," he gasped, "and yell for the stretcher." I followed him without further question. "It's all right," he said, slowing up just before we came to the line of dugouts that had just been shelled. "They've got him all right." We continued toward a group that was crowded about a stretcher. A man was lying on it, with his head raised on a haversack. He rolled his eyes slowly and surveyed the group. "What the hell is the matter?" he said dazedly; then felt himself over gingerly for wounds. Apparently he could find none. "What hit me?" he asked, appealing to a grinning Red Cross man.
"Nothing," said the other, "except about a ton of earth. It's a lucky thing some one saw you. That last shell buried you alive."
The whistle of a coming shell dispersed the grinning spectators. I went back to my dugout, and found Art busily toasting some bread over the sieve that I had commandeered the day before.
"What was the excitement?" he asked.
"Charlie Renouf," I said, "was buried alive."
"Heavens," said Art, "he's the postman; we can't afford to lose him. That reminds me that I've got to write some letters."
While we were writing, the orderly sergeant, that dread of loafers, who appoints all details for fatigue work, bore down upon our dugout. "Two men from you, Corporal Gallishaw," he said, "for bomb throwers. Give me their names as soon as you can. They're for practice this afternoon."
"One here, right away," said Art, "and put Lew O'Dea down for the other."