Where it is impossible to use roads or mule trails for the transport of troops or supplies the Italians use aerial railways, called telleferica. I saw one of these consisting of a single span of 2,160 meters—this was Neri's remarkable accomplishment. And ever so often cannon in leash, men in baskets go swinging from post to post over chasms that make the heart pound as one darts a look into their recesses. There is to-day in all that mountain country scarcely a spot upon which a bird may roost or to which a goat may climb that the Italian engineers have not conquered, and in conquering achieved so much in pressing back the detested Austrians. And with what cheerfulness, light-heartedness, courtesy, consideration for one another, devotion and loyalty are the Italians accomplishing these miracles of warfare. When one has looked upon their work and has associated with them in the deep snows and in their tunnelled quarters one is seized with an irresistible desire to tell the world how wonderful they are—to describe, however poorly, their triumphs of will and courage.

IV—"AVIVA ITALIA!" UNCONQUERABLE LATINS

It is not in the army alone one finds that spirit. In the little villages along the roads the very bright-eyed children cry, "Aviva Italia!" and there is the soul of it. There is expressed a profound love of country. Italy no more doubts that she will reconquer Trieste and Trent than France doubts the recovery of Alsace and Lorraine. The despoiled Latin is determined to have justice, to wring justice, from the Teuton maurauder, and peace talk is a weariness to them in their exalted mood. The spiritual and economic interests of Italy and France have been held apart only by Teutonic perfidy, intrigue and insinuation, but all misunderstandings are disappearing and absolute confidence is taking the place of doubt. A captain of Alpini said to me: "France and Italy are one—is it not so, sir?" How many times have we heard discussed the reasons why Italy was so long in declaring war against Germany! For my part I have never doubted that Italy's reasons were perfectly legitimate. One does not quit one system of alliance for another without damaging a whole series of interests. Italy, so to speak, found herself in the position of an individual who must divorce in order to remarry. But what must be remembered is the absolute loyalty of the Italians. Never have they changed since the beginning of hostilities. They are a people of heroes.

Let me speak of Milan and Venice as I saw them in intervals of visits to the mountaintop fighting fronts. At Milan my first care was to study the precautions taken against the destruction of art treasures. Always the Latin, who creates, is forced to protect and defend his works from the German, who destroys. The cathedral, all in stone, risks little from fire, all the glass and precious objects having been taken to places of safety, and it remains intact and marvellous under its mantle of lace, intact in spite of the Austrians and marvellous in spite of Ruskin. At Santa Marie del Grace the "Last Supper" of Leonardo is protected by a wall of sandbags and by a fireproof curtain. Churches and museums have been emptied of their riches. In the streets I watched the crowds—a people astonishing in purity of line and proportion, moving always with grace and harmony. Here lies for me the secret of their artistic superiority, for it is well known that the artist, in spite of himself, reproduces in his work his physical perfections and faults.

In Venice the same precautions are taken as at Milan. The Scaliger tombs are covered with sand and the more important ones are enclosed in stone turrets. All statues are shrouded in a preparation of straw and plaster sufficient to protect them from fragments of bombs, but what a wonderful mark for some aerial bandit San Zeno and St. Anastasia, with their wooden ceilings, would be. In the middle of the night I disembarked in Venice, where two carabinieri conducted me to a hotel hermetically sealed so that no ray of light escaped. And here I stayed in the pitch dark with a prospect of being lodged under the Piombi of the Ducal Palace if I betrayed the slightest evidence of having a light.

As always Venice presents an incomparable aspect. There is no better moment to visit Italy than during a war, for it is only then that one finds the Italians really at home. A war clears the scene of a whole world of intruders. A great calm reigns over Venice. All classes fraternize. Life is very normal, and no one regrets the absence of the Germans, Austrians and Hungarians, who used to arrive from Trieste—no more hobnailed shoes, no more Tyroleans, no more alpenstocks, no more noisy vulgarity. The harbor is empty except for a few captured Austrian vessels. Off in the distance to the south-west is the great fleet, ready at a moment's notice to take position in the open sea. The city presents no particularly wartime characteristics excepting at night. I know of no pen or brush that has been able to render justice to Venice—Turner perhaps; but Guardi and Canaletto were too much the slaves of detail and of other conscience. At 8:45 P.M. all lights were put out. It is absolute darkness with the exception that a little blue light, very feeble, burns at the end of each street, just enough to give guidance for direction. Even the little lamp of the fisherman which hangs before the Virgin on St. Marc's has been extinguished. Happily one is permitted to smoke, otherwise it would be difficult to navigate about the narrow streets. One cannot imagine the intensity that a lighted match takes, and the cafés, which are better patronized than ever, resemble enormous nests of glow worms, everybody puffing at a cigarette or a Virginia. An amusing detail is that one must pay in advance for one's refreshments, because in case of an aerial attack the general cry is "Sauve qui peut?" and heaven help the proprietor.

V—DROPPING BOMBS ON VENICE

The aeroplane—that is the great question; not that they are feared. It is that every one asks with feverish anxiety what possible further ravages will be accomplished among the marvellous art treasures. At the time of Titian, when fashion decreed that every woman must have that wonderful blonde hair for which Venice was famous, many of the houses had constructed upon their roofs an open loggia, which was called "Paltana." It was there that the beautiful Venetians after having bathed their hair in some mysterious fluid remained for hours allowing it to dry. Well, it is from these "Paltana" that the guard watches over the city, armed with mitrailleuse and furnished with megaphones, and every half hour one hears the sentinels calling as they repeat the cry ringing from the Campanile of St. Marc: "Per l'aria, buona guardia." And throughout the entire night the silence is broken by a chain of cries which reunites these invisible belfries. Nothing lacks. Searchlights, special cannon, aerial squadrons and aquatic squadrons—all are ready for defence. But Venice is so filled with treasures that it is only by the greatest luck that a bomb does not destroy some unique object. It is my firm conviction that some day St. Marc's or the Ducal Palace will be smashed by the Teutons. Although everything possible in the way of protection has been done, one trembles at the thought of what may happen. Already the Church of the Scalzi has been pierced, and of the wonderful fresco of Tiepolo not a piece as big as one's hand remains. Bombs have fallen within a few feet of St. Marc's. These are the attacks of savages, purely barbarous, with the sole intent of destroying something.

From the third story of the Hotel Danielli I witnessed raids by Austrian hydravians. At 11:30 P.M. the signal of danger came. A gun roared from the Moline. Sirens shrieked in many parts of Venice. Then there was temporary silence, disturbed only by the rustle and shuffle of feet as people scurried to shelter. Presently all the batteries surrounding Venice opened fire. In intervals of this din one heard the whine of the Austrian air motors, a noise like the buzzing of a gigantic fly. It advanced over rooftops. Many batteries spat fire into the air. But the only sign of the air machines that I observed was what might be called a faint, very vague sort of electric fluid which seemed to appear momentarily in different parts of the heavens. From time to time all firing ceased. Silence came. One again heard the hum of the invading motors. Then the air was assailed by the explosion of a dropped bomb, followed by the crash of breaking roofs, the splintering of glass, the shrieks of injured persons. The whole effect was stupefying to me, not terrifying; but there is, too, a feeling of quite utter helplessness. Shortly after the last bomb was dropped the signal came that it was all over. The people fairly flung themselves into the streets searching for souvenirs, scratching about amusingly with candles and matches as they recounted laughable or tragic experiences. Such raids are made preferably during the moon. It is known that the defence is imperfect, that the only perfect defence is one of reprisals, but as an English General said to me, "That is a dirty game, dirty ball, as you Americans say. It is pretty hard to descend to their methods."