Twenty-Three Stories by Twenty and Three Authors

by Unknown

Presently the sheik gave the signal for commencement, and in a moment burst forth the melancholy chant of the Arab voices and the ceaseless droning of the drums. The song was not what we should call singing, but a plaintive and quavering wail, pursued in a certain cadence, now falling to a moan, now terminating in a shriek, but always pitiful, piercing and inexpressibly sad. The tambours, which were struck like the keyboard of a piano, by the outstretched fingers of the hand, and, occasionally, when a louder note was required, by the thumb, kept up a monotonous refrain in the background. From time to time, at moments of greater stress, they were brandished high in the air and beaten with all the force of fingers and thumb combined. Then the noise was imperious and deafening.

Among the singers, one grizzled and bearded veteran, with a strident and nasal intonation, surpassed his fellows. He observed the time with grotesque reflections of his body; his eyes were fixed and shone with religious zeal.

The chant proceeded, and the figures of the singers, as they became more and more excited, rocked to and fro. More people poured in at the doorway, and the building was now quite full. I began to wonder whether the musicians were also to be the performers, or when the latter would make their appearance.

Suddenly a line of four or five Arabs formed itself in front of the entrance on the far side of the orchestra, and exactly opposite the bench on which I was sitting. They joined hands, the right of each clasped in the left of his neighbour, and began a lurching, swaying motion with their bodies and feet. At first they appeared simply to be marking time, first with one foot and then with the other; but the movement was gradually communicated to every member of their bodies; and from the crown of the head to the soles of the feet they were presently keeping time with the music in convulsive jerks and leaps and undulations, the music itself being regulated by the untiring orchestra of the drums.

This mysterious row of bobbing figures seemed to exercise an irresistible fascination over the spectators. Every moment one or other of these left his place to join its ranks. They pushed their way into the middle, severing the chain for an instant, or joined themselves on to the ends. The older men appeared to have a right to the centre, the boys and children—for there were youngsters present not more than seven or eight years old—were on the wings. Thus the line ever lengthened; originally it consisted of three or four, presently it was ten or twelve, anon it was twenty-five or thirty, and before the self-torturings commenced there were as many as forty human figures stretching right across the building, and all rocking backwards and forwards in grim and ungraceful unison, Even the spectators who kept their places could not resist the contagion; as they sat there they unconsciously kept time with their heads and shoulders, and one child swung his little head this way and that with a fury that threatened to separate it from his body.

Meanwhile, the music had been growing in intensity, the orchestra sharing the excitement, which they communicated. The drummers beat their tambours with redoubled force, lifting them high above their heads and occasionally, at some extreme pitch, tossing them aloft and catching them again as they fell. Sometimes in the exaltation of frenzy they started spasmodically to their feet and then sank back into their original position. But ever and without a pause continued the insistent accompaniment of the drums.

And now the oscillating line in front of the doorway for the first time found utterance. As they leaped high on one foot, alternately kicking out the other, as their heads wagged to and fro and their bodies quivered with the muscular strain, they cried aloud in praise of Allah. La ilaha ill Allah! (There is no God but Allah)—this was the untiring burden of their strain. And then came Ya Allah! (O God), and sometimes Ya Kahhar! (O avenging God), Ya Hakk! (O just God), while each burst of clamorous appeal culminated in an awful shout of Ya Hoo! (O Him).

The rapidity and vehemence of their gesticulations was now appalling; their heads swung backwards and forwards till their foreheads almost touched their breasts, and their scalps smote against their backs. Sweat poured from their faces; they panted for breath; and the exclamations burst from their mouths in a thick and stertorous murmur. Suddenly, and without warning, the first phase of the zikr ceased, and the actors stood gasping, shaking, and dripping with perspiration.

After a few seconds’ respite the performance recommenced, and shortly waxed more furious than ever. The worshippers seemed to be gifted with an almost superhuman strength and energy. As they flung themselves to and fro, at one moment their upturned faces gleamed with a sickly polish under the flickering lamps, at the next their turbaned heads all but brushed the floor. Their eyes started from the sockets; the muscles on their necks and the veins on their foreheads stood out like knotted cords. One old man fell out of the ranks, breathless, spent, and foaming. His place was taken by another, and the tumultuous orgy went on.

Presently, as the ecstasy approached its height and the fully initiated became melboos or possessed, they broke from the stereotyped litany into domoniacal grinning and ferocious and bestial cries. These writhing and contorted objects were no longer rational human beings, but savage animals, caged brutes howling madly in the delirium of hunger or of pain. They growled like bears, they barked like jackals, they roared like lions, they laughed like hyænas; and ever and anon from the seething rank rose a diabolical shriek, like the scream of a dying horse, or the yell of a tortured fiend. And steadily the while in the background resounded the implacable reverberation of the drums.