CHAPTER VIII.

"O thou, my elder brother in misfortune,
By far my elder brother in the muses,
With tears I pity thy unhappy fate!"—Burns.

The asylum in which my unfortunate friend was confined, at this time the only one in Edinburgh, was situated in an angle of the city wall. It was a dismal-looking mansion, shut in on every side, by the neighbouring houses, from the view of the surrounding country; and so effectually covered up from the nearer street, by a large building in front, that it seemed possible enough to pass a lifetime in Edinburgh without coming to the knowledge of its existence. I shuddered as I looked up to its blackened walls, thinly sprinkled with miserable-looking windows, barred with iron, and thought of it as a sort of burial-place of dead minds. But it was a Golgotha, which, with more than the horrors of the grave, had neither its rest nor its silence. I was startled, as I entered the cell of the hapless poet, by a shout of laughter from a neighbouring room, which was answered from a dark recess behind me, by a fearfully prolonged shriek, and the clanking of chains. The mother and sister of Ferguson were sitting beside his pallet, on a sort of stone settle which stood out from the wall; and the poet himself, weak and exhausted, and worn to a shadow, but apparently in his right mind, lay extended on the straw. He made an attempt to rise as I entered; but the effort was above his strength, and, again lying down, he extended his hand.

"This is kind, Mr. Lindsay," he said; "it is ill for me to be alone in these days; and yet I have few visitors, save my poor old mother and Margaret. But who cares for the unhappy?"

I sat down on the settle beside him, still retaining his hand. "I have been at sea, and in foreign countries," I said, "since I last saw you, Mr. Ferguson, and it was only this morning I returned; but believe me there are many, many of your countrymen who sympathize sincerely in your affliction, and take a warm interest in your recovery."

He sighed deeply. "Ah," he replied, "I know too well the nature of that sympathy. You never find it at the bedside of the sufferer—it evaporates in a few barren expressions of idle pity; and yet, after all, it is but a paying the poet in kind. He calls so often on the world to sympathize over fictitious misfortune, that the feeling wears out, and becomes a mere mood of the imagination; and, with this light, attenuated pity of his own weaving, it regards his own real sorrows. Dearest mother, the evening is damp and chill—do gather the bedclothes round me, and sit on my feet; they are so very cold and so dead, that they cannot be colder a week hence."

"O Robert, why do you speak so?" said the poor woman, as she gathered the clothes round him, and sat on his feet. "You know you are coming home to-morrow."