“Pardon me, Mr. Burns,” I said, “I am not quite so finished a Tory as that amounts to.”
“I am not one of those fanciful declaimers,” he continued, “who set out on the assumption that man is free-born. I am too well assured of the contrary. Man is not free-born. The earlier period of his existence, whether as a puny child or the miserable denizen of an uninformed and barbarous state, is one of vassalage and subserviency. He is not born free, he is not born rational, he is not born virtuous; he is born to become all these. And woe to the sophist who, with arguments drawn from the unconfirmed constitution of his childhood, would strive to render his imperfect, because immature, state of pupilage a permanent one! We are yet far below the level of which our nature is capable, and possess in consequence but a small portion of the liberty which it is the destiny of our species to enjoy. And ’tis time our masters should be taught so. You will deem me a wild Jacobin, Mr. Lindsay; but persecution has the effect of making a man extreme in these matters. Do help me to curse the scoundrels!—my business to act, not to think!”
We were silent for several minutes.
“I have not yet thanked you, Mr. Burns,” I at length said, “for the most exquisite pleasure I ever enjoyed. You have been my companion for the last eight years.”
His countenance brightened.
“Ah, here I am boring you with my miseries and my ill-nature,” he replied; “but you must come along with me and see the bairns and Jean; and some of the best songs I ever wrote. It will go hard if we hold not care at the staff’s end for at least one evening. You have not yet seen my stone punch-bowl, nor my Tam o’Shanter, nor a hundred other fine things beside. And yet, vile wretch that I am, I am sometimes so unconscionable as to be unhappy with them all. But come along.”
We spent this evening together with as much of happiness as it has ever been my lot to enjoy. Never was there a fonder father than Burns, a more attached husband, or a warmer friend. There was an exuberance of love in his large heart, that encircled in its flow, relatives, friends, associates, his country, the world; and, in his kinder moods, the sympathetic influence which he exerted over the hearts of others seemed magical. I laughed and cried this evening by turns; I was conscious of a wider and warmer expansion of feeling than I had ever experienced before; my very imagination seemed invigorated by breathing, as it were, in the same atmosphere with his. We parted early next morning—and when I again visited Dumfries, I went and wept over his grave. Forty years have now passed since his death, and in that time many poets have arisen to achieve a rapid and brilliant celebrity; but they seem the meteors of a lower sky; the flush passes hastily from the expanse, and we see but one great light looking steadily upon us from above. It is Burns who is exclusively the poet of his country. Other writers inscribe their names on the plaster which covers for the time the outside structure of society; his is engraved, like that of the Egyptian architect, on the ever-during granite within. The fame of the others rises and falls with the uncertain undulations of the mode on which they have reared it; his remains fixed and permanent, as the human nature on which it is based. Or, to borrow the figures Johnson employs in illustrating the unfluctuating celebrity of a scarcely greater poet—“The sand heaped by one flood is scattered by another, but the rock always continues in its place. The stream of time, which is continually washing the dissoluble fabrics of other poets, passes, without injury, by the adamant of Shakspeare.”