"You will be of our party to-night, gentlemen," continued Mrs. Cheesham. "We are to have a little music. You are fond of music, Mr. Stukeley, I know; and no pressing can be necessary to an amatoor like you, Mr. Francis. I can assure you, you'll meet some very nice people. Mr. and Mrs. M'Skrattachan, highly respectable people—an old Highland family, and with very high connections. Mr. M'Skrattachan's mother's sister's aunt—no, his aunt's mother's sister—yes, that was it—Mr. M'Skrattachan's aunt's mother's sister; and yet I don't know—I dare say I was right before—at all events, it was one or other of them—married a second cousin—something of that kind—of the Duke of Argyle, by the mother's side. They had a large estate in Skye or Ross-shire—I am not sure which, but it was somewhere thereabout."
Stukeley and Preston were glad to cover their retreat by acceptance of Mrs. Cheesham's invitation; and, leaving her to empty the dregs of the details which she had begun into the willing ears of some of her more submissive friends, they made their escape from the pump-room.
Slopbole Cottage, where the Cheesham's were domiciliated during their sojourn at Potterwell, was situated upon the banks of the Wimpledown, at a distance of somewhat less than a quarter of a mile from the burgh. It had, at one time, been a farm-house; but, within a few years, it had been recast: and, by the addition of a bow window, a trellised door, and a few of the usual et ceteras, it had been converted into what is by courtesy termed a cottage ornée. It was an agreeable place, for all that, shaded by the remnants of a fine old wood—the rustling of whose foliage made pleasant music, as it blended with the ever-sounding plash and rushing of the stream.
When Frank Preston arrived at Slopbole Cottage that evening, he found the drawing-room already well stocked with the usual components of a tea-party. The two exquisites of the morning he saw, to his dismay, were already there. Adolph was assiduously sacrificing to the charms and wit of Miss Emily, while his shadow, Eugene, was—but Preston did not care about that—as much engaged in Macadamising his great conceptions into small talk suitable for the intellectual capacity of Miss Fanny. Mrs. Cheesham regarded these proceedings with entire satisfaction. The friends, to her mind, were men of birth, fashion, and fortune, and the very men for her daughters. Besides, there was a mystery about them that was charming. Nobody knew exactly who they were, although everybody was sure they were somebody. None but great people ever travel incog. They were evidently struck by her daughters. Things were in a fair train; and, if she could but make a match of it, Mrs. Cheesham thought she might then fold her hands across, and make herself easy for life. Her daughters would be the wives of great men, and she was their mother, and every one knows what an important personage a wife's mother is.
"Two very fine young men, Mr. Francis," said Mrs. Cheesham. "Extremely intelligent people. And so good looking! Quite distingue, too. It is not every day one meets such people."
Frank Preston threw in the necessary quantity of "yes's," "certainly's," and so forth, while Mrs. Cheesham continued—
"They seem rather taken with my girls, don't they? Mr. Blowze is never away from Emily's side. His attentions are quite marked. Don't you think, now, they'd make a nice pair? They're both so lively—always saying such clever things. I never knew Emily so smart either; but that girl's all animation—all spirits. I always said Emily would never do but for a rattle of a husband—a man that could talk as much as herself. It does not do, you know, really it does not do for the wife to have too much of the talk to herself. I make that a principle; and, as I often tell Cheesham, I let him have it all his own way, rather than argue a point with him."
This was, of course, an exceedingly agreeable strain of conversation to the lover, to whom it was no small relief, when Mrs. Cheesham quitted his side to single out her musical friends for the performance of a quartette. At her summons, these parties were seen to emerge from the various recesses where they had been concealing themselves, in all the majesty of silence, as is the way with musical amateurs in general. Miss Fanny, who was really an accomplished performer, was called to preside at the pianoforte, and Mr. Lilylipz rushed before to adjust the music-stool and turn over the leaves for her. Mr. Blewitt got out his flute, and, after screwing it together, commenced a series of blasts upon it, which were considered necessary to the process of tuning. Mr. Harrower, the violoncello player, turned up the wristbands of his coat, placed his handkerchief on his left knee, and, after a preliminary flourish or two of his hands, began to grind his violoncello into a proper sharpness of pitch. Not to be behind the rest, Mr. Fogle screwed his violin strings first up, and then he screwed them down, and then he proceeded to screw them up again, with a waywardness of purpose that might have been extremely diverting, if its effects had not been so very distressing to the ears. Having thus begot a due degree of attention in their audience, the performers thought of trying how the results of their respective preparations tallied.
"Miss Fanny, will you be kind enough to sound your A?" lisped Mr. Blewitt.
Miss Fanny did sound her A, and again a dissonance broke forth that would have thrown Orpheus into fits. It was then discovered that the damp had reduced the piano nearly a whole tone below pitch, and Mr. Blewitt's flute could not be brought down to a level with it by any contrivance. The musicians, however, were not to be baulked in their purpose for this, and they agreed to proceed with the flute some half a tone higher than the other instruments. But there was a world of preliminary work yet to be gone through; tables had to be adjusted, and books had to be built upon music stands. But the tables would not stand conveniently, and the books would fall, and then all the work of adjustment and library architecture had to be gone over again. At last these matters were put to rights, and, after a few more indefinite vagaries by Messrs. Blewitt, Harrower, and Fogle, the junto made a dash into the heart of one of Haydn's quartetts. The piano kept steadily moving through the piece. Miss Fanny knew her work, and she did it. The others did not know theirs, and they did for it. After a few faint squeaks at the beginning, Mr. Blewitt's flute dropped out of hearing altogether, and, just as everybody had set it down as defunct, it began to give token of its existence by a wail or two rising through the storm of sounds with which the performance closed, and then made up its leeway by continuing to vapour away for some time after the rest had finished.