"Here," cried the writer, riping his pocket—"take with you and pay at the same time the price of the stirrup-gill—one settling will serve all."

"Ye're richt, Mr. Gavin," replied Duncan Schulebred, receiving the money; "but that's a sma sum (hiccup) in comparison o' what I hae to pay; but it's pleasant to discharge the obligations o' honour."

Now, the wily huckaback manufacturer was, as he spoke, approaching the corner where his staff ellwand lay—an article he stood more in need of at that time (short measure as it was) than ever, on any other occasion of taking off, he had encountered. The recourse to it for the purpose of merely going to the bar, could not fail to raise suspicions in the mind of the writer; but then, again, was he to lose a short measure, which, getting into the hands of a writer, might be sent—in revenge of the trick he had already played him, in selling a web of linen damaged in the heart, and that he was about to play—to the public authorities, who would hunt him to Dunfermline, and ruin him by the exposure? Not he. He besides required it for his support, for he could scarcely stand. In this dilemma, he had again recourse to his wits.

"I'm no sure aboot thae folk ben the hoose," said Duncan Schulebred, holding up the ellwand. "They may try to cheat me, seein I'm a simple cratur, besides being twa sheets i' the wind—(hiccup)—dinna ye think that I should tak my stick i' my hand, as a kind o' lawburrows and protection? No to say I would think o' usin't, but simply to keep the publican in awe, and within just and lawfu measure."

"Take it with thee, take it with thee, man," said the writer. "Say it is a—a Dunfermline baton, the sign of your constableship, and you will find the bill two inches shorter."

"Ingenious cratur!" ejaculated Duncan, with a hiccup, and the old leer of his grey eyes. "A law plea never can fail, surely, in the hands o' a man wi' sic a power o' suggestion as ye hae. But ye forget that Dumfarlan batons are no sae lang as Dumfarlan ellwands—(hiccup)—the power o' authority there's short, but the reach o' oor honesty's prodigious. That's a guid sign: our batons are short because we are quiet and civil, and our ellwands are lang because we are honest. Wad ye believe it, noo, that that ellwand o' mine, in spite o' the wear and tear o' walkin wi't, is a haiil inch different frae yer Edinburgh yards?"

This attack against the honesty of Edinburgh roused the blood of the writer, and another wordy battle was like to commence; but Duncan Schulebred saw at once, that, if he put off more time, the people of the house might, from the lateness of the hour, come and insist upon the reckoning on the spot—a measure which all his wits would not enable him to counteract. The open mouth of the writer was therefore shut, by a few conciliatory words from the aggressor:—

"I dinna say, Mr. Gavin," added Duncan Schulebred, "whether the inch belanged to Dumfarlan or Edinburgh. Ye may tak the benefit o' a presumption in yer ain favour till I come back. Mony ane o' yer tribe stick langer by a presumption than that, and, till it grows into a fact, it canna injure an honest man like me. Guid"—(he was going to add "night," and leered grotesquely at his own imprudence)—"guid—(hiccup)—guid luck to my speedy settlement o' the lawin!"

Then Duncan Schulebred staggered to the door, which he opened so gently that the writer might, if he had not been drunk, have suspected him of foul play. His foot was scarcely heard on the passage; but a sound, as if from the end of the stairs, indicated that some one had missed a step. No notice of it was taken by the writer, who sat with his eye fixed on the candle, concocting, like a good poet, one of those works of imagination called a preliminary or dilatory defence. Formerly, these works of fancy were very rife among lawyers, and, before the judicature act, they used to reach a second or even a third edition, under the form of "amended defences," "re-amended defences," and so forth. They are not now so much in favour, though the fancy which produces them is still as vivid as ever. How long Andrew Gavin sat dreaming over his intended work we cannot say; but never was poet more rudely, importunately, and unpleasantly roused from his dream, by the hand of a messenger-at-arms, than was the unsuspecting victim of Duncan Schulebred's treachery, as he was called upon by the landlord to pay the bill. He had no money upon him—the small sum he had given to the weaver to pay the last or stirrup gill, and which the varlet had carried away with him, having been all his remaining cash, after paying the price of the linen. He requested the importunate landlord to wait a little, to ascertain if Duncan would return; but the man wished to get to bed; and Andrew's credit being somewhat worn, like that of many others of his overdone profession, the publican insisted upon him leaving his watch, as a pledge for the payment of the money. The writer's pride—a quality never awanting in the race, especially when they're in liquor—was roused; he roared; he refused to impignorate, as he called it, his watch; he swore that he would rather remain in durance all night than succumb to the unreasonable demand of the publican. The man was as resolute as he, and, without saying a word, turned the key in the lock, and left the writer to dream over his legal works of fancy in the dark.

Meanwhile, the wily Duncan Schulebred, having recovered from a fall on the last step of the stair—produced by that impatience of slight obstacles which seizes an ambidexter at the successful termination of a well-concerted and better-executed scheme—proceeded down the Canongate. He was out and out intoxicated; but the wish to cheat, so long as it was in operation, kept his mind from that confusion which, his purpose being effected, immediately seized him. He was not certain of the direction in which he was moving; but he was satisfied with the idea that he was going from the sign of The Barleycorn, and any destination was better than that. A confused intention of sleeping all night in the town of Leith, with the view of catching the Fife boat in the morning, at last wrought its way through the cloud which overhung his mind; and having found himself as far as the Watergate, he continued his progress until he came to what is called the Easter Road, leading directly down to the Links. The air produced its usual effect upon a man who was filled to the throat with liquor; and every step he took he found himself getting more and more unsteady, and more and more unfit for prosecuting his journey. He was, however, still conscious of his condition, and felt great alarm lest some one should assail him, and take from him his money. By and by, even his consciousness left him, and he rolled from side to side, engrossing, for his own particular ambulation, the whole breadth of the road. Several times he came down, and, being unable to rise without many repeated attempts, lay on the ground for considerable periods. The necessity of motion of some kind is the last idea parted with by an intoxicated traveller; and Duncan Schulebred still retained it, even after he had lost his ellwand, his chief means of support. On and on he struggled, falling, and lying, and rising, and to it again, till he got at length as far as the green called the Links of Leith—an open space always as disadvantageous to the drunk man as it is pleasant to the sober. A road with two sides may be got over—the dikes keep him on; but an extended area of grass, with radiating openings all round, is a kind of place which a man in Duncan Schulebred's position, without the rudder or compass of consciousness, must always view with great uneasiness. Accordingly, Duncan Schulebred did beat about in this large circle for several hours, and at last entered a street which leads down to that called Salamander Street.