After an immensity of preliminary puffs into the clarionet, occasional rattles on the drum, and consultations among themselves as to the air to be played, the musicians struck up the spirit-stirring "All Round my Hat;" which, though achieved in beautiful disregard of time and concord, was received with great—ay, with very great applause, by the momentarily increasing audience, some of whom mistook it for "God Save the King," and, in an extreme fit of loyalty, bawled out—"Off hats! stand up!" with which command many did not hesitate to comply.
There was a pause, interrupted at length by the loudly expressed wish of the gods that the curtain should draw up. Up it went accordingly, and "Venice Preserved" commenced with some show of enthusiasm. Belvidera was personated by an interesting female of five-and-thirty, who, after parting in tears from Jaffier, a youth of eighteen, as the means of acquainting the audience with her extraordinary vocal abilities, consoled herself and them with that very appropriate ditty—"Within a Mile of Edinburgh Town," accompanied by the orchestra. The Doge of Venice, not to be outdone, as it were, left his throne after the terrific disclosures of Jaffier, and, in honest exultation at the discovery of the horrid plot, solaced the mysterious Council of Ten with—"I was the boy for bewitching them." The bass drum was particularly distinguished in the accompaniment.
In a critique of the performances which Mr. Micklewhame wrote, he says—"It would have greatly added to the delight of those conversant with the pure English idiom, had many of the actors paid a visit, for a short time, to the first floor of the Assembly Room, ere venturing to appear on the second."
The meagreness of the company compelled several of the principal performers to play inferior parts, in addition to those against which their names appeared in the bill. For instance, in "Rob Roy," the same person who performed Rashleigh had to "go on" in the capacity of a peasant, and sing a bass solo in the opening glee. Owen and Major Galbraith were done by the same individual. Mattie sung in the opening glee, and danced the Highland Fling at the Pass of Lochard, with Dougal and Bailie Nicol Jarvie. Some of the audience were scandalized at the appearance of Mattie on this occasion, and began to entertain great doubts of the morality of the bailie, when they saw his handmaid in his company so far from the Trongate.
Seated on the front form, with green cloth back studded with brass nails, and immediately behind a row of six penny dipped candles, tastefully arranged in order among an equivalent number of holes in a stick placed in front of the drop-scene to divide the audience from the actors, Andrew Micklewhame gazed on all this with the stoical indifference of one who is used to such things: in short, he gazed on it with the eye of an experienced critic—the best of all possible ways to mar one's enjoyment of a play. Occasionally, however, he felt inclined to indulge in a hearty laugh; but the dignity of the critic came to his aid, and he restrained it by turning away his face from the stage and casting his scrutinizing glance around the inhabitants of the seats in the rear, or listened to the remarks of those in the pit. It was during the latter part of the performance of the first act, and the interval between it and the second, that he, in this manner, overheard the fragments of a conversation carried on, sotto voce, in the seat immediately behind him. He had the curiosity to steal a glance at the speakers. They were a young woman, with fine dark eyes, and a young man, of apparently five-and-twenty years of age, with cheeks redolent of rouge, enveloped in a faded Petersham greatcoat, whom Andrew immediately set down as belonging to the company of comedians. He could hear the young woman with the dark eyes upbraiding the young man with the coloured cheeks for deserting her; then the young man said he had intended to write her soon, with some money, so she ought not to have followed him.
"I am pretty well situated in lodgings here at present," continued the young man; "but I cannot venture to take you there to-night, for the fact of my being a married man would not, were it known, raise me in the estimation of the landlady. But I will procure other lodgings for you after the play is over; and if you do not hear from me in the morning, at farthest by ten, you may call for me at the inn where I am staying." He ended by observing that he was wanted in the next act to go on as a Highlander; and, accordingly, he left her, and crept in behind the curtain.
There was nothing very extraordinary in all this; yet, though Andrew knew that such occurrences happened daily, he could not help thinking of what he had just overheard, and feeling interested in the damsel of the sparkling eyes. He did not dare, however, to take another peep at her, as he thought it would be too marked; and when he rose, at the termination of the performances, to go away, the seat behind him was quite vacant; nor could he discern, among the dense mass of human beings that obstructed the door-way, the slightest vestige of her, or the youth in the shabby greatcoat who had acknowledged himself her husband.
The rain had not ceased when Mr. Micklewhame left the Assembly Room, so he hurried to his inn with all possible despatch. Mr. Micklewhame prided himself on his knowledge of the principles of economy; and when he travelled he invariably made it a point to take no more than two meals per diem—breakfast and tea—both with a meat accompaniment; but this evening—this particular evening—as he sat toasting his toes before an excellent fire, in a comfortable parlour of a comfortable inn, and heard the rain pattering against the casement, it, somehow or other, entered into his head that a tumbler of punch would be by no means amiss. A tumbler of punch was ordered in accordingly; after that came a second; and a third; and—no, we can't exactly say that there was a fourth. At all events, there was a marked inclination, first towards one side of the staircase, and then towards the other, in Mr. Andrew Micklewhame's ascent to his bedroom that evening. Nay, more; he attempted to kiss Kirsty as she was depositing the candlestick upon the table; but he missed his aim, and measured his length on the floor. By the time he was up again, Kirsty had vanished.
Mr. Micklewhame was a little annoyed that he could not use the precaution of bolting his door. The mysterious man, with the black whiskers and broad shoulders, had not yet claimed his bed, although it was pretty well on towards
"The wee short hour ayont the twal."