“My poor bereaved bairn!” she at length exclaimed; and she took her daughter in her arms and kissed her—“ye hae indeed cause to mourn, for Florence was a noble lad!—but, oh, dinna say it was my doing, hinny!—dinna wyte yer mother!—will ye no, Janet? It is a great comfort that Florence has died like a hero.”

But Janet never was herself again. She became, as their neighbours said, a poor, melancholy, maundering creature, going about talking of her Florence and the surprise of Fast Castle, and ever ending her story—“But I maun awa hame and get ready, for Florence and I are to be married the nicht.”

Madge followed her, mourning, wheresoever she went, bearing with and soothing all her humours. But she had not long to bear them; for, within two years, Janet was laid by the side of Florence Wilson, in Coldingham kirkyard; and, before another winter howled over their peaceful graves, Madge lay at rest beside them.


THE SURGEON’S TALES.

THE SOMNAMBULIST OF REDCLEUGH.

It is now many years since I visited a patient, at the distance of some sixty miles from the proper circuit of my practice. On one occasion, when with him, I received a letter from a gentleman, who subscribed himself as one of the trustees of Mr. Bernard[B] of Redcleugh, requesting me to visit, on my return home, the widow of that gentleman, who still resided in the old mansion, and whose mind had received a shock from some domestic affliction, any allusion to which was, for some reason, very specially reserved. I may remark, that I believe I owed this application to some opinions I was known to entertain on the subject of that species of insanity produced by moral causes, and which is to be carefully distinguished from the diathetic mania, so often accompanied by pathological changes in the brain. It is scarcely necessary to inform the reader, that we have always a better chance for a cure in the one case than in the other, insomuch indeed as, in the first, we have merely functional derangement; in the second, organic change. I always maintain there is no interest about insane people, except to the man of science; and even he very soon gets to that “ass’s bridge,” on the other side of which Nature, as the genius of occult things, stands with a satirical smile on her face, as she sees the proud savans toppling over into the Lethe of sheer ignorance, and getting drowned for their insane curiosity. In the asylum in France, mentioned by De Vayer, the inmates enjoyed exceedingly the imputed madness of the visiting physician. The same play is acted in the world all throughout. Our insanity has only a little more method in it—and while I avoid any description of the madness of Mrs. Bernard, I will have to set forth a story, which, leading to that madness, has in it apparently as much of insanity as may be found in the ravings of a maniac.

I obeyed the call to Redcleugh, where I found the res domi in a peculiar position. There were few inmates in the large old house. Besides the invalid herself, there was an old cook and a butler, by name Francis, who had been in the family for many years, and whose garrulity was supplied from an inexhaustible fountain—the fate and fortunes of the Bernards. My patient was a lovely woman in body—a maniac in mind. Her affliction had suddenly shot up into her brain, and left untouched the lineaments of her beauty, excepting the expression of the eye, which had become nervous and furtive, oscillating between the extreme of softness and the intensity of ferocity. Having been cautioned by Francis to make no allusion to her husband or to certain children, whom he named, or to the word “book,” and many other things, I contented myself, in the first instance, with a general examination of her symptoms; and, as it was late before I arrived, I resolved upon remaining all night, which would enable me to see her again in the morning. I had supper served up to me by Francis, who brought me some wine which had been in the house for fifty years, and told me stories of the family, extending back twice that period. Sometimes these old legends would be interrupted for a moment by a shrill cry, coming from a source which we both knew. All else in this house was under the spell of Angerana, the genius of silence. There is something peculiar in the sound of a common voice in a large house, filled with memorials of those who had lived in it, and yet with no living sounds to break the dull heavy air, which seems to thicken by not being moved. It appeared as if I had been suddenly thrown into a region of romance, but my experiences were not pleasant. I wished to escape to my own professional thoughts again, and desired to go to bed.

I was accordingly, not without some efforts on the part of my entertainer to prolong his stories, ushered into my bed-room—a large apartment, hung with pictures, some very old, and some very new. Francis put the candle down, and left me. It was not long before I was undressed and under the bed-clothes; but not being sure about sleeping, I left the candle burning, intending to rise and extinguish it when I found myself more inclined to fall over into the rest I required. The old legends began to pass through my mind, and I was engrossed with the spirit of the past. Time makes poetry out of very common things, and then we are to remember, what we do not often think of, that the most ordinary life cannot be passed without encountering some incidents which smack of the romantic. Nay, every man’s life, as a bright gleam thrown on the dark abyss which separates him from eternity, is all through a romance, in the midst of that greater one, seen by us only as shadows—the negatives of some positives, perhaps, witnessed by eyes on the other side. I have always been tinged by something of the spirit of old Bruno, that dreamer, whose most real realities were no other than umbery forms—flakes of shadow—cast off by a central light from the real objects, of which we are the mere shadowy representatives. All the breathing, throbbing, active beings, who for two hundred years had run along these narrow passages of the old house, and peered into half-open doors, or out of the small skew-topped windows—danced, sang, laughed and wept—died, and been carried out—were to each other as such umbery things; and I, the present subsisting shadow, received them all into my living microcosm, where, as in a mirror, they existed again, scarcely less shadowy than before.