"Why, my bonny leddie," he replied, "jist a kiss o' that pretty little mou o' yours."

"Oh, ye gowk!" exclaimed Jeanie, with a roguish glance at her humble gallant; for, disguised as he was, he was not able to conceal a very handsome person, nor the very agreeable expression of a set of remarkably fine features—qualities which did not escape the vigilance of the female eye that was now scanning their possessor. Nor would we say that these qualities were viewed with total indifference, or without producing their effect, even although they did belong to a fiddler.

"Oh, ye gowk!" said Jeanie; "wha ever heard o' a fiddler preferring a kiss to half-a-crown?"

"But I do, though," replied the disguised knight; "and I'll gie ye yours back again for't."

"The mair fule you," exclaimed Jeanie, rushing away towards the house, and leaving the fiddler to make out the remainder of the way by himself.

On reaching the house, the musician was ushered into the kitchen, where a plentiful repast was instantly set before him, by the kind and considerate hospitality of Jeanie, who, not contented with her guest's making a hearty meal at table, insisted on his pocketing certain pieces of cheese, cold meat, &c., which were left. These the fiddler steadily refused; but Jeanie would take no denial, and with her own hands crammed them into his capacious pockets, which, after the operation, stuck out like a well-filled pair of saddle-bags. But there was no need for any one who might be curious to know what they contained, to look into them for that purpose. Certain projecting bones of mutton and beef, which it was found impossible to get altogether out of sight, sufficiently indicated their contents. Of this particular circumstance, however—we mean the projection of the bones from the pockets—we must observe, the owner of the said pockets was not aware, otherwise, we daresay, he would have been a little more positive in rejecting the provender which Jeanie's warmheartedness and benevolence had forced upon him.

Be this as it may, however, so soon as the musician had finished his repast, he took fiddle in hand, and opened the evening with a slow pathetic Scottish air, which he played so exquisitely that Jeanie's eye filled with a tear, as she listened in raptures to the sweet but melancholy turns of the affecting tune.

Twice the musician played over the touching strain, delighted to perceive the effects of the music on the lovely girl who stood before him, and rightly conceiving it to be an unequivocal proof of a susceptible heart and of a generous nature.

A third time he began the beautiful air; but he now accompanied it with a song, and in this accomplishment he was no less perfect than in the others which have been already attributed to him. His voice was at once manly and melodious, and he conducted it with a skill that did it every justice. Having played two or three bars of the tune, his rich and well-regulated voice chimed in with the following words:—

"Oh, I hae lived wi' high-bred dames,
Each state of life to prove,
But never till this hour hae met
The girl that I could love.