The earl's curiosity was now still further excited, and, without saying a word more, he drew near to the door of Chatelard's apartment, and became also an auditor of the poor poet's unguarded language; but not such as it was in the case of the listeners who had preceded him; to him that language was perfectly intelligible—at least to the extent of informing him of Chatelard's ambitious love. To Murray this was a secret worth knowing; and, in the hope that he might discover this attachment to be reciprocal, and thus acquire an additional influence over the queen, his sister, at the expense of her reputation, he considered it a singularly fortunate incident. Perhaps he expected that it would do even more for him than this: that it would eventually help him to the accomplishment of certain daring views towards the crown itself, of which he was not unsuspected. Whether, however, he was able to trace, in distinct and definite lines, any consequences favourable to himself from the fact which had just come to his knowledge, it is certain he was pleased with the discovery, and considered it as an important acquisition. That he viewed it in this light, indeed, was evident even by his countenance, cautiously guarded as its expressions ever were.

On being satisfied of the fact of Chatelard's attachment to the queen, he withdrew from the door with a look and brief expression of satisfaction, and went directly in quest of the chamberlain. On finding whom—

"So, Mr Chamberlain," he said, "we have got, I find, another animal added to our herd of fawning, drivelling courtiers. Pray, who or what is he, this person who has taken up his quarters in the northern gallery, and by whose authority has he been installed there?"

"By the queen's, my lord," replied the chamberlain. "I have had express and direct orders from the queen herself, to provide the gentleman with apartments in the palace, and to see to his suitable entertainment."

"Ah, indeed," said the earl, biting his lip, and musing for a moment. "By her own express orders!" he repeated. "It is very well." Then, after a pause—"Know ye this favoured person's name, Mr Chamberlain?"

"Chatelard," replied the latter.

"Chatelard! Chatelard!" repeated the earl, mechanically, and again musing; "why, I think I have heard of that gallant before. He is one of those triflers called poets, me-thinks—a versifier, a scribbler of jingling rhymes. Is it not so?"

"I have heard the queen say so, my lord," replied the chamberlain. "She has spoken of him in my hearing as a poet."

"Ah! the same, the same," said the earl; "but how obtained he access to the queen, know ye?"

"Through his own direct application, my lord. He addressed a poetical epistle to her majesty, I understand, from Goodal's hostelry, where he had taken up his quarters in the first place, requesting permission to wait upon her."