The knight rose, amidst the acclamation of the nobles. The clerk again proceeded with his monotonous vocation of calling out the names of the citizens. Peter, with his daughter, accompanied by Sir Rolande, left the court-room, and proceeded to his house, where, after proper explanations, the Fleming saw no reason to regret the taking of the city. On that same day, William Oliphant was beheaded. The town was quickly restored to order; and, before Bruce's army again set out on a new expedition, Anne of Ghent became the lady of Sir Rolande de Leon.
This brave knight accompanied Bruce through all his engagements, taking frequent opportunities, throughout the wars, of stealing a few days of the society of his fair Anne of Ghent. In a short time he was covered with honours; and, by the end of Scotland's period of direst strife and danger, old Peter of Ghent died, leaving a large fortune to his daughter. The couple, we have reason to believe, retired afterwards to a castle somewhere in Perthshire, to enjoy the peace and happiness of a domestic life, after so many toils and dangers. We have somewhere seen the arms afterwards adopted by the knight, in which three Lioncels rampant topaz figure on a field sapphire, crest, wreathed with a riband vert. The wreath we may easily understand; nor can we be at any loss for the derivation of the young Lions, seeing that, according to our authority, Anne bore Sir Rolande three sons, whose descendants, under the name of Lion, long lived in Perthshire; and, if we are not led astray by old writs, they afterwards intermarried with the Lions of Strathmore.
THE PROFESSOR'S TALES.
PEAT-CASTING TIME.
In the olden times, there were certain fixed occasions when labour and frolic went hand in hand—when professional duty and kind-hearted glee mutually kissed each other. The "rocking" mentioned by Burns—
"On Fastening's E'en we had a rocking"—
I still see in the dim and hazy distance of the past. It is only under the refractive medium of vigorous recollection that I can again bring up to view (as the Witch of Endor did Samuel) those images that have been reposing, "'midst the wreck of things that were," for more than fifty years. Yet my early boyhood was familiar with these social senile and juvenile festivities. There still sits Janet Smith, in her toy-mutch and check-apron, projecting at intervals the well-filled spindle into the distance. Beside her is Isabel Kirk, elongating and twirling the yet unwound thread. Nanny Nivison occupies a creepy on the further side of the fire (making the third Fate!), with her shears. Around, and on bedsides, are seated Lizzy Gibson, with her favoured lad; Tam Kirkpatrick, with his jo Jean on his knee; Rob Paton the stirk-herd; and your humble servant. And "now the crack gaes round, and who so wilful as to put it by?" The story of past times; the report of recent love-matches and miscarriages; the gleeful song, bursting unbid from the young heart, swelling forth in beauty and in brightness like the waters from the rock of Meribah; the occasional female remonstrance against certain welcome impertinences, in shape of, "Come now, Tam—nane o' yer nonsense." "Will! I say, be peaceable, and behave yersel afore folk. 'Od, ye'll squeeze the very breath out o' a body."
"Till, in a social glass o' strunt,
They parted off careering
On sic a night."