In the midst o' our cangling, a chaise rolled up to the door, when out jumped my two she-tormentors, and their little blackavised cousin, and marched direct into the shop. A scene immediately ensued that baffles a' description. The auldest Cochrane first tried on the fainting and greeting; but finding, after a great deal o' attitudinising, that she was as far from her purpose as ever, she next began to storm like a fury, and even had the audacity and ill-breeding to smack me in the face—not with her lips truly, but with her open hand—using towards me, at the same time, language that would disgrace an outcast in a Bridewell. After expending the whole o' her wrath on my head, the party left the shop, threatening that they would make my purse smart for it in the way o' a settlement. And they were as guid as their word; for I had forty pounds a-year to settle on a person the law acknowledged as my lawfully-wedded wife, besides incurring legal expenses to the amount o' three hundred pounds.
Years have come and passed sin a' this happened; but never has my unlucky marriage gone down in Selkirk: and I not only have lost my "status" in society, but my presence, at a public meeting or the like—even at this day—is the ready signal for the evil-disposed to kick up a riot. This I might even get owre; but when I think o' the cheerlessness o' my ain house, and the sad desolateness o' my heart—that my only sister, whose advice I have often treated with owre little deference, has sunk into the grave with a broken heart—that I have none to take an interest or enter into the cause o' the inquietude and suffering that has silently worn down the strength o' my constitution—and that, were I dying the morn, the fremmit must close my eyes, and my effects go to enrich an ingrate:—I say, Maister Brown, when I think on the misery that my foolishness has brought upon me, and reflect how happy I might have been, had I not become the dupe o' my ain erroneous opinions and self-conceit—my very heart sickens within me; and, in the bitterness o' my feelings, I earnestly wish that I were laid by the side o' my puir sister, and my head at rest, for ever below the sod.
ROSEALLAN'S DAUGHTER.
The old strength of Roseallan cannot now boast even a site on the face of the earth; for (so at least says tradition) the waters of the Whitadder run over the place where it reared its proud turrets. It is sad enough to look upon the green grass, and contemplate, with a heart beating with the feelings that respond to antiquarian reminiscences, the velvet covering of nature spread over the place where chivalry, love, and hospitality claimed the base-court, the bower, and the banqueting hall; but green grass, though long, and whistling in the winds of winter, carries not to the sensitive mind the feeling of mournful change and desolation suggested by the murmuring stream, as, rolling over the site of an old castle, it speaks its eloquent anger and triumph over the proud structures of man. So long as there is apparent to the eye a place where the cherished object of memory might, without violence to the ordinary conditions of nature, have stood, the plastic fancy asserts instantly her constructive power, and sets before the eye of the mind a structure that satisfies all our historical associations; but the moment we see the favoured place occupied by a running water, vindicating, apparently, a right to an eternal and unchangeable course, the many-coloured goddess takes fright, and refuses to obey the behest of the will that wishes her to compete with nature in the work of creation. We have stated a tradition, and we do not answer for it. There may be doubts now about the precise locality of the old strength of Roseallan, but there are none in regard to the fact of its last proprietor having been Sir Gilbert Rollo, a favourite of King James V., who saw no better mode of rewarding his loyal subject for important services, than by giving him a grant of the castle and domains, upon the old feudal tenure of ward-holding. This the king was enabled to do, from the property having fallen to the crown by the constructive rebellion of its former proprietor, whose name we have not been able to discover. Sir Gilbert Rollo had a wife and one daughter, the latter of whom was called Matilda. According to the account contained in some letters still extant in the possession of a branch of the family, this young lady was possessed of charms of so extraordinary a nature as to make her famous throughout "broad Scotland." Having little faith in verbal descriptions, as a mean of conveying to the mind of one who has not seen the original, any adequate idea of those peculiar qualities of form, colour, proportion, and expression that go to form what is called female beauty, we will not transcribe the elaborate account of her perfections which we have had the privilege of perusing. We content ourselves with stating, what will give a far better notion of her excellence, that there can be no doubt of the fact of her having been famous throughout Scotland at that period as the fairest woman in the kingdom. It has been stated that Queen Mary showed her picture to some of her French followers, with a view to impress upon their minds that, beautiful as she was, her country had produced one even transcending her; though some have asserted that the picture which hung in Mary's bedroom was that of a daughter of Crighton of Brunston. We cannot reconcile the different statements; but it is enough for our purpose that Matilda Rollo was supposed to be entitled to compete for this distinction.
Sir Gilbert and Lady Rollo were staunch Catholics of the primary church. They gratified King James, by extending their hatred to all those who showed any disposition to favour the partial reformation effected by Henry VIII. of England; whose law of the six articles was then a subject of bitter contention among all parties, both in England and Scotland. This religious prejudice was of greater importance in the family of Roseallan Castle than as a mere question of faith. It interfered with the success of a suitor for the hand of Matilda—an English knight of the name of Sir Thomas Courtney. This individual, who was much famed on the English side of the Borders for his knightly bearing, manly proportions, and beauty of person, was ambitious of carrying off the fairest woman of Scotland; as well from an ardent passion with which he was inflamed, as from the pride of having to boast among his English compeers of being the possessor of so inestimable a jewel as the "Rose of Roseallan." His suit had been favoured for a time by Matilda's father, but had been discharged as soon as it was known that the lover of Matilda was an admirer of Henry's new system of religious reformation. This determination on the part of her parents was not disagreeable to the daughter, who had never been able to see, in the proud stateliness of the handsome Englishman, those softer qualities which could enable him to respond to the high aspirations and impassioned feelings of what she conceived to be genuine romantic love.
For a considerable period, Sir Thomas had not been a visiter at Roseallan. He had, however, left a deputy in the person of Bertha Maitland, who had been Matilda's nurse, and was still retained in the family as a favoured domestic. A favourer of the religious tenets of the new English reformers, she had looked favourably on the suit of the lover; and there was reason to suppose that English gold, as well as English principles of religion, had been employed to gain over her interest in behalf of the Englishman. Her efforts had been sedulously devoted to the excitement of some feeling of attachment on the part of Matilda; but as women can only excite love in their female companions by rivalship, her praises went for nothing more than an old woman's garrulity. Matilda felt it impossible to give her affections to her English suitor, and was glad to take refuge behind the commands of her father, never to see him, and never to listen to his high-flown professions of passion.
Many other suitors sought the favour of the far-famed Rose of Roseallan. They were of the highest of the land—many of them the courtiers of King James; and the rules and canons of love-making, taken from the old romances—"Amadis de Gaul" and others—were learned by heart, and acted on by tongue and eyes. But all was in vain. There was not a single individual among all those who resorted to Roseallan, not even Sir George Douglas (who had been favoured by her father), that had been able to excite the least spark of affection in the bosom of the fair object of their suit. The circumstance was remarkable, but not the less true; and the difficulty could not be solved by the ordinary expedients. Though the most beautiful woman in Scotland at that time, she was the humblest; and no rejected lover could lay his bad fortune to the account of pride, or solace his self-love by an imputed arrogance of beauty. The perfect disengagement (so far as could be observed) of her affections, kept up the hopes of her English admirer, who learned everything that took place at the castle through the medium of his hired agent. The mediations of Bertha were kept up; but her praises had, by repetition, become tiresome, and fell upon the ear of her fair mistress like the tuneless notes of the birds that, unfitted to be of the choir of the forest, chirped on the old walls of Roseallan.
The castle was so situated that one end of it was almost washed by the waters of the Whitadder. A small bridge was thrown over the river, and communicated with a deep wood on the other side, then called the Satyr's Hall. In this wood, and towards the end of the bridge, was a small bower, which had been built for the sake of Matilda, and in which she often sat during the heat of the mid-day sun, listening to the songs of the birds, or reading some of the old romances and ballads of Scotland, which she loved with the devotion of the heart. It seemed to be in the imaginary world of these narratives that she had found the lover who defied the efforts of so many suitors to obtain a place in her affections. Her rapt fancy, occupied in the contemplation of some form which it had painted with all the fond colours of exaggerated beauty, carried her away from the ordinary thoughts and feelings of life. Yet it was not all imagination; she did not carry her romance so far as to uphold that no man of mere flesh and blood, however well put together, and however well decorated by the smiles of nature (the artificial ornaments of fashion she valued not), could satisfy the heart that had enshrined within it those hallowed images of a beautiful creative imagination. One who knew human nature, and the habits of thinking and acting of imaginative females, would have discovered, in this love of the fair inhabitants of her own Elysium, the true reason of her apparent coldness towards the most beautiful and accomplished men of her time; but they would have suspected that the form of beauty she thus cherished had some foundation in nature; and that—though an excited fancy engages in its service the young female heart, and, having limned for it an ideal object to contemplate, ceases not till it engages for the image the most pure, and sometimes the strongest affections of the heart—there is still a substratum in reality to which all may be referred. So was it with Matilda Rollo. One day, when sitting in her bower, she had fallen asleep with a volume of Italian poems in her hand. She had been busy culling roses—the bower was strewed with them; and the sun sent his rays past the window and entrance of the retreat, as if to avoid an interruption of her repose. She was, however, interrupted by another cause; and, looking up, she saw the face of a man gazing steadfastly upon her through the window. Alarmed, she started up—the individual disappeared; but the beauty of his countenance, which transcended anything she had ever seen on earth, or dreamed of in the grandest of her rapt imaginations, left an impression on her which she never forgot. She was supplied with a form of beauty on which her fancy might luxuriate, and to which she would refer all the descriptions in her favourite works; nor did she fail in this—for, though she could not discover who the individual was, and did not see him again, she cherished the beloved image as a treasure, and, day and night, in her fanciful musings and in her dreams, she delighted to contemplate the beauty of her imaginary lover.
One morning Bertha accosted her young mistress in such a manner as to excite her curiosity.