As he was one day engaged in such contemplations—profaning with evil thoughts the retreats which seemed to have been consecrated by nature to peace, and holiness, and all good affections—his attention was arrested by a song familiar to Borderers, and composed by one of the men who had been executed for the murder of Sir James Johnstone's predecessor in the wardenship of the middle marches. But, although the associations which were awakened in the mind of Lord Maxwell on hearing "Johnnie Armstrong's Last Good-night,"[4] were of a mixed nature, the sweet tones of the singer, and the allusions to the Border, made him forget, in the delight of the moment, the more painful meditations which had been thus agreeably interrupted. The delicious dream lasted only for a minute; the voice of song was hushed; and although the baron, with curiosity to which he had for years remained a stranger, started alertly from the ground, that he might discover the sweet disturber of his thoughts, he was too late; for no one save himself stood within the dell, where he had sought solitude, though, as it turned out, he had not altogether found it.

His reveries were now at an end for the time; and he returned to the castle with that reluctance which every man feels when he is about to mingle in society, without possessing the power of deriving delight from his intercourse with human-kind.

In the course of the evening—which was usually devoted by the guests of the marquis to sports, varied by occasional conversations on all sorts of subjects, from lively to severe—a keen dispute arose betwixt a young French count and one of his comrades with regard to the merits of Scottish music. After arguing, and stating, and re-stating their opinions, until they found that the one could not convince the other, they agreed to refer the point to Lord Maxwell, who seemed to be the only person not talking, or listening to talk, at the moment; and they then proceeded to give specimens at once of their own vocal powers and of the beauty of the music peculiarly prevalent in their respective countries. After the trial was completed, a round of laughter greeted the competitors, whose performance, it may be supposed from this reception, was none of the most beautiful. The umpire, when asked to deliver his award, only shook his head.

"Though I don't pretend to say which is the better singer," said Lord Maxwell, "I will undertake to convince our foreign friend that Scottish melodies are at least equal to the music which he adores; but you, my lord, must aid me, otherwise this mighty dispute must remain unsettled."

"Speak your wish," said the marquis, "and it shall be gratified, if I can help you."

"You have sometimes told me that I do nothing but mope about your woods and ravines, scarcely opening my eyes or my ears; but to-day, at least, it was not so. My day-dreams were agreeably dispelled by some songstress, who had escaped, however, before I could discover whether the lips which breathed such melody were as sweet as the song. Could you only hear "Armstrong's Good-night" warbled as I heard it to-day, your disputes would soon be at an end. Perhaps some of the village girls may——"

"No village girl, my lord," exclaimed the defender of Scottish music.

All eyes were in a moment fixed upon Lady Margaret, whose blushes had betrayed her. The ballad was once more sung; and need it be said that the disbeliever in Scottish melody became a convert, and, like other converts, became even more zealous than his old antagonist in praises of the song and of the songstress? Lord Maxwell began to chide himself for not having sooner discovered that Lady Margaret was not only endowed with a sweet voice, but possessed of great personal attractions. He had, indeed, frequently heard her sing, but the right chord had never been touched before; and it was only when the ballads with which he was familiar, and which were the native growth of his own province, fell upon his ear, that attention was awakened, and the full beauty of the vocal powers possessed by his unseen charmer was perceived.

Margaret Hamilton was now in her eighteenth year, and possessed that irregular beauty, glowing with life and health, which wins the heart more readily than the most faultless but chilling perfection of feature. The high intelligence and elevated feeling which met "in her aspect and her eyes," her bright complexion and raven ringlets, made her such a being as the imagination delights to portray and contemplate, though the beautiful vision which flits across the mind seldom has a living, and breathing, and moving counterpart in the material world.

The excursions of Lord Maxwell were not now so solitary as they had been before the occurrence of the incident already mentioned; and a walk without a companion was now the exception from the general rule. That companion—need it be recorded—was Margaret Hamilton. Every scene that deserved a visit—every wondrous work of nature or curious work of man, within a range of several miles around Craignethan Castle—was pointed out by Lady Margaret for the admiration of her brother's guest. Nor was it long before the admiration bestowed upon the lifeless scenes which they contemplated in common was transferred to each other by the animated observers themselves. They rapidly proceeded through all the stages of that fever which, in its crisis, is called love. The feuds, and animosities, and revenge, of the Nithsdale baron were for a time forgotten; those better affections which had been cherished by the preceptor of his youth—the gentler feelings which produce the courtesies and kindnesses of life—the intellectual tastes which had long lain uncultivated, and had indeed borne many weeds under the influence of harsh passions—all these began in some measure to revive; his spirit, freed for a season from the operation of those motives which had hitherto guided it with so much power, appeared to be softened; his demeanour lost somewhat of its sternness; and a new passion seemed gradually to be expelling all those fiercer emotions by which he had hitherto been governed.