Wilson's Tales of the Borders and of Scotland, Volume 17

by Unknown

The company looked on in amazement and terror. The flame would rise on the application of the liquor to her lips, and doubtless little more of Marion Webster would be seen on the face of this lower world. While Marion still held the flask in her hand, the sound of carriage wheels was heard. The vehicle seemed to halt at Wat Webster's door. The door opened with a bang. Marion had not time to drink off her "spark," and, still holding the flask, went to the door to see who had so unceremoniously opened it; he of the red cravat, taking up his bottle, followed with a long stride. A sudden exclamation was heard from Marion; the sound of the shutting of the door of a carriage followed; then came Jehu's "hap-away," with three loud cracks of a whip, and all was ended by the rolling of rapid wheels, lost in a moment in the distance.

Wat Webster, who had hitherto been chained to his seat, now started up; and, clasping his hands in his agony, ejaculated, that "Marion was off in a flame o' fire." The fact scarcely required mention—alas! too evident to all the company—that the greatest beauty of Christ's Kirk was away in the talons of the great Enemy of all good; and the evidence within the walls of the house was not greater than what was afforded by the watching crowd without. The carriage, which was entirely black, and not unlike a hearse, was seen to come in by the east end of the town, driving with a furious career, the driver (dressed also in black) impelling, with a long whip, the black horses, from whose hoofs sparks of fire were seen to fly; and neither house nor man seeming to claim his attention, until he arrived at the house of Wat Webster, where he of the red cravat was known to be. Many followed the carriage, and many remained at a distance to see who the victim was that was destined to be carried off in the strangers' vehicle; for, that the coach was brought there for no other purpose than to carry off one who could command in an instant a chariot of fire, seemed reasonably to be entirely out of the question. Marion Webster, the beloved of the village, was seen to enter, followed by the stranger; and, as the coach flew off, a loud wail burst from the stricken hearts of the villagers, expressive at once of their fear and of the intense pity they felt for the fate of one so much beloved, and whose crimes, much less than theirs, merited so dreadful a punishment as that she should be carried off to the regions of sorrow. The evidence, within and without the house, met, and, by the force of sympathetic similarity, mixed in an instant, carrying away in their course, like floating straws, the strongest doubts that remained in the mind of the most sceptical man in Christ's Kirk, of the hapless daughter of Wat Webster having been carried off by the Devil. The town was in the greatest commotion; terror and pity were painted on every face; but the feelings of the public held small proportion, indeed, to the agony which overtook Wat Webster and his wife, whose only child she was, as well as their pride, and that of every one in the whole town. Wat, who saw no use in flying after Sathan—an individual of known locomotive powers—lay extended on the floor of his cottage, cursing his fate, and bewailing the condition of his lovely daughter, whose entry into Pandemonium, and first scream produced by the burning lake, were as distinct in his eye and ear as ever was his morning porridge, when they boiled and bubbled by the heat of the fire. But Kitty was up and out, with a mighty crowd or tail in attendance, flying up and down in every direction, to see if any burning trace could be had of her beloved Marion; for she declared that, if she only got "the dander o' her body to bury in Christ's Kirk," she would be thankful to heaven for the gift, and try to moderate her grief. But no "dander" was to be seen. It was by much too evident that Marion Webster would never more be seen on earth; and, what might naturally add to the grief of her friends, they had no chance of seeing her again in the world to come, unless at the expense of a condemnation—a dear passport to see an old friend. Such a night was never seen in Christ's Kirk as that on which Marion Webster was carried off by his Sathanic Majesty.

We have said quite enough to make it to be understood that Marion Webster did in reality go off in a coach with the stranger who has occupied so much of our attention; but we have (being of Scottish origin) prudently abstained from giving any opinion of our own upon the question of the true character of him of the red cravat. The two drove off together, apparently with much affection, and, after they had got entirely beyond the reach of any supposed followers, they became comparatively easy, and very soon commenced a conversation—an amusement never awanting when there is a woman within reach of a person's articulated breath.

"What is the meaning o' a' this, Geordie, man?" said Marion, looking lovingly into the face of the stranger. "Could I no have met ye this night at the Three Sisters—the trees in the wood o' Ballochgray—without your coming to Christ's Kirk, and spreading the fear o' the deil frae town's-end to town's-end? But whar are we journeying to? and what means the carriage?"

The stranger thus accosted by the familiar name by which he was known to the young woman, smiled, and told her to hold her tongue, and resign herself to the pleasure of being carried through the air at the rate of ten miles an hour. The moon was now shining beautifully "owre tower and tree;" and ever and anon the maiden glanced her blue eye on the "siller-smolt" scenes through which she passed, and then turned to the face of her companion, who seemed to enjoy silently the wonder expressed by her fair face. After rolling on for some time, they came to a road or avenue of tall beech trees, at the end of which appeared an old castle, on which the moonbeams were glancing, and exhibiting in strange forms the turrets with which it was fancifully decorated. The grey owl's scream was borne along on the breeze that met them, and struck on Marion's ear in wild and fitful sounds—inspiring a dread which the presence of her mute lover did little to remove or assuage.

"Is not that Ballochgray Castle?" said Marion, at last—"that fearfu place whar the Baron of Ballochgray haulds his court with the Evil One, on every Halloween night, when the bleak muirs are rife with the bad spirits o' the earth and air. Whar drives the man, Geordie? Oh, tell him to turn awa frae thae auld turrets and skreeching owls. I canna bear the sight o' the ane, or the eerie sound o' the ither."

A smile was again the answer of her companion, and the carriage still drove on to the well-known residence of the young Baron of Ballochgray—a man who, knowing the weakness of his King, James the Third of Scotland, in his love of astrology and divination, and their sister black arts, had, with much address, endeavoured to recommend himself to his sovereign, by a character pre-established in his own castle, for a successful cultivation of the occult sciences. He had long withdrawn himself from the eyes of the world, and even of his own tenants, and shut himself up in his castle, with a due assortment of death's heads, charts, owls, globes, bones, astrolobes, and vellum chronicles, with a view to the perfection of his hidden knowledge; or, as some thought, with a view to produce such a fame of his character and pursuits as might reach the ears of James, and acquire for him that sway at court for which he sighed more than for real knowledge. Some alleged that he was a cunning diplomatist, who cared no more for the nostrums of astrology than he did for the dry bones that, while they terrified his servants, had no more virtue in them than sap, and were, with the other furniture of his dark study, collected for the mere purpose of forwarding his ambitious designs upon the weak prince. His true character was supposed to be—what he possessed before he took to his new calling—that of a wild, eccentric, devil-daring man, who loved adventures for their own sake, and worshipped the fair face of the "theekit and tenanted skull" of a bouncing damsel, with far greater enthusiasm and sincerity than he ever did his mortal osteological relics that lay in so much profusion in the recesses of his old castle. But he had, doubtless, so far succeeded in his plans; for he possessed a most unenviable fame for all sort of cantrips and sorceries; and the wandering beggar would rather have solicited a bit of bread from the iron hand of misery itself, than ventured near Ballochgray to ask his awmous.

"I winna gang near that fearfu place, Geordie!" again cried Marion. "What hae ye, a puir hind, to do wi' the Baron o' Ballochgray? Turn, for the sake o' heaven!—turn frae that living grave o' dry banes, an' the weary goul that sits jabbering owre them, by their ain light!"

Her companion again smiled; and the man dashed up the avenue, and never stopped till he came to the gate of the castle—over which there were placed two human shank-bones of great length, that were said to have sustained the body of the Baron of Balwearie—that prince of the black art, and the most cunning necromancer that ever drew a circle. The carriage stopped; and two servants, dressed in red doublets, (like garments of fire,) slashed with black, waited at the carriage door, with flambeaux in their hands, to shew the couple into the hall. Out sprang the male first, and then Marion Webster was handed, with great state, and led into the interior of the old castle. She was led direct into the hall, which was lighted up in a very fanciful manner, by means of many skulls arranged round the room, and through the eyes and jaws of which lurid lights streamed all around. Marion was filled with terror as she cast her eyes on these shining monuments of mortality; and had, in her fear, scarcely noticed a man in black, sitting at the end of the room, poring over a black-lettered manuscript.

"Marion Webster," now said her travelling companion, "behold in your old lover of the Ballochgray Wood the Baron of Ballochgray!"