"Good morning, bridegroom," said a third. "The sun shines bright, and the moss-brown tarn is more limpid than the running rill."
"All happiness," said a fourth rider, "when the merle nestles with the jolly owl, and is not afraid when he sounds his horn."
But Ogilvy only compressed his lips the more, and looked the more gloomy, solacing himself with the vision of Honour, the beautiful yet stern virgin, and immaculate as she who shook her mailed petticoats after getting out of Jupiter's head. Nor was the inspiration diminished as he now saw rising before him the rugged pile of Bell's Tower, wherein the bell rang still more lustily as the hour approached. The guests were thronging in a multiform, many-coloured mass, all eager for the honour of a Bower's smile. He was soon among the midst of them, repaying neither compliment, nor salutation, nor mute nod, with a single sign of acknowledgment. And now he entered the great hall, where already the invited numbers were nearly completed. How grand the scene! What silks, and satins, and taffetas, flowerings, braidings, and be-purflings, and hooped inflations! what towering toupees, built up with horse-hair and dyed hemp, stiffened with starch! what nosegays, redolent of heather-bells, and roses, and orange blossoms! There sat Dame Bower herself, fat and jolly, with her ruby dewlap, looking dignity; and Bower, the laird, great in legend. Mess John, too, even fatter than tradition will have him—the sleek bald head and face, where a thousand slynesses could play together without jostling. But what were all these, and the fairest and the proudest there, to Isobel Bower, as, arrayed in her long white veil, she sailed about, heedless of all decorum, showering her triumph upon envious damsels, as if she would blight all their fond hopes to make a rich soil for the flowering of her own! If others sat and looked for being looked at, and others stood for being admired, she walked and moved for worship, as if she claimed the peripatetic honour of the entire round of adoration. Not that she stared for it: she was too intensely magnetized to doubt of the jumping of the steel sparks to be all arranged rayonnant, like a horse-shoe, round the centre of her glory. Then, as there is by the domestic law a wearock in every nest, however speckled, and however redolent of balm-leaves or resonant of chirpings, where was Sweet Marjory Bower? Where that law ought to place her, by older legends than the date of Bower pride and power—in a corner, plainly dressed, and trying with downcast eyes to escape observation. But how pallid!—as if all the colours there had vied to steal from her cheeks, not the rosy bloom—for it never was there—-but the fresh white of the lily, more beautiful than all the flowers of the garden; and not the colour alone, but the light itself of the lily's eye. Nay, it would seem that the greatest robber of all was her sister, whose look turned upon her as if in scorn of her humility, and in pleasure of her woe.
As Ogilvy entered, walking up direct and stedfastly to the midst of the great hall, there arose the welcome buzz, like that humming which makes musical the sphere where comes the reigning queen of the hive. But how soon, as the bell in the tower ceased to ring, was all that noise hushed into a death-like silence, as he stood without sign or movement, with his arms crossed, and his gloomy eyes fixed on the only empty space in that crowded assembly! Would he not look at the bride, or salute the bride's mother, or shake hands with the bride's father, or do any one of all those many things which lay to his duty—far more to his inclination—as a happy bridegroom? Not one of them. And there he stood, as a motionless Grecian god hewn out of veritable panthelion, with its ivory eyes, and the mute worshippers all about. Nay, the likeness was even more perfect; for as these worshippers, from the very fear of reverence and the impression of awe, kept at a distance from that centre of deity, so those guests who were nearest to the strange man moved instinctively away, leaving him in the middle of the charmed ring. But even this did not move him. Then there was business to be done. "Oh! he was only meditative." The greatness of the occasion was the mother of a hundred excuses. Still to all it was oppressive, killing enthusiasm, and so unlike what these gay hopefuls had prefigured of that celestial state in which they wished themselves to be. Only Isobel seemed unchanged. She whispered to Mess John—most unseemly; but was she not the Devil Isobel? Ogilvy, even as a statue, was hers, and could not get away. Then the bridesmaids sought each other, by the clustering sympathy of their gay wreaths and their office, and the bridesman stood in readiness. Mess John was at the altar; and the bell was to ring the celebrating peal after the ceremony was ended, and the guests should fall to their knives and forks; and the retainers on the lawn, where the fire blazed wild to roast the ox and honour the bride, should sit down to their marriage feast.
As Solemnity is the mother of Angerona, with her finger on her lip, so here reigned now the utmost stillness that could be enforced by heaving hearts against the buzz of a crowd. Scarcely a sound was heard as the altar was encircled. You might have detected a sigh, if it had not been that every sigh was suppressed. Even Isobel was mute, but not from any cessation of her triumph—rather from the impression of its culmination in possession. She stood grandly, looking around her, in defiance of the inexorable law of down-gazing on the ground, where brides see so much which no one else sees. Nor had she yet expressed by a look any wonder at the statue bridegroom, whose attitude was still unchanged. All is eye, and ear, and throbbing heart, when of a sudden the door of the great hall opened, calling the eye in the direction of the screech. Who dared? Some one more daring than common humanity. A figure entered, in the dress of another bride,—a tall figure, with surely nothing to be covered by the white satin and the long lace mantilla, suspended from the top of a wreathed head white as the driven snows of Salmon, but bones, sheer bones. The face could scarcely be seen for the folds of the veil: only two eyes, with no more light in them than what plays on the surface of untransparent things, and fixed and immoveable as if they saw nothing. The guests were breathless from stupefying amazement. They beheld it pass into the middle of the hall, where, in the space that had been deserted, it began a movement something like dancing. Strange mutterings of a broken-voiced song, with words about long years having passed away, rhyming with bridal day, and so forth, in the cauldron-kettle-and-incantation style, came in snatches.
"It is that infernal old witch, Patricia Bower," screamed Devil Isobel.
And rushing forward, the impassioned creature threw the weight of her body on the composition of bones and satin. It fell, with a loud shrill scream from a windpipe dried by the breath of ninety-seven years.
Dame Bower and Sweet Marjory rushed forward and drew back the veil. It was the antediluvian Patricia. She was dead. The last spark had been offered to Hymen, and the incense canister was broken. Drops of blood issued from her mouth and nose, and sat upon the marble face, with still remains of the old beauty in it which had charmed Walter Ogilvy, like dots on the tiger lily.
At this moment the bell began to clang. Devil Isobel was gone. She had hurried out the moment she knew that the spark of life had fled. Nor could she be found. The song says—
"They sought her here, they sought her there,
By lochs and streams that scent the main,
By forests dark, and gardens fair;
But she was never seen again."