The ear of Effie was chained to a force which was direct upon the heart. She trembled and looked wistfully into his face, even as if by that look she could extract from him some other device less fearful, by which she might have the power of retaining him for so short a period as a day.
"You draw out your father's drafts on the bank, Effie," he continued. "Write one out for me, and I will put your father's name to it. You can draw the money. I will be saved from ruin; and your father will never know."
A proposal which again brought a shudder over the girl.
"Is it Robert Stormonth who asks me to do this thing?" she whispered again.
"No," said he; "for I am not myself. Yesterday, and before the messenger was after me, I would have shrunk from the suggestion. I am not myself, I say, Effie. Ay or no; keep me or lose me—that is the alternative."
"Oh, I cannot," was the language of her innocence, and for which he was prepared; for the stimulant was again applied in the most powerful of all forms—the word farewell was sounded in her ear.
"Stop, Robert! let me think." But there was no thought, only the heart beating wildly. "I will do it; and may the penalty be mine, and mine only."
So it was: "even virtue's self turns vice when misapplied." What her mind shrank from was embraced by the heart as a kind of sacred duty of a love making a sacrifice for the object of its first worship. It was arranged; and as the firmness of a purpose is often in proportion to the prior disinclination, so Effie's determination to save her lover from ruin was forthwith put in execution; nay, there was even a touch of the heroine in her, so wonderfully does the heart, acting under its primary instincts, sanctify the device which favours its affection. That same evening Effie Carr wrote out the draft for twenty pounds on the Bank of Scotland, gave it to Stormonth, who, from a signature of the father's, also furnished by her, perpetrated the forgery—a crime at that time punishable by death. The draft so signed was returned to Effie. Next forenoon she went to the bank, as she had often done for her father before; and the document being in her handwriting, as prior ones of the same kind had also been, no scrutinizing eye was turned to the signature. The money was handed over, but not counted by the recipient, as before had been her careful habit—a circumstance with its effect to follow in due time. Meanwhile Stormonth was at a place of appointment out of the reach of the executor of the law, and was soon found out by Effie, who gave him the money with trembling hands. For this surely a kiss was due. We do not know; but she returned with the satisfaction, overcoming all the impulses of fear and remorse, that she had saved the object of her first and only love from ruin and flight.
But even then the reaction was on the spring; the rebound was to be fearful and fatal. The teller at the bank had been struck with Effie's manner; and the non-counting of the notes had roused a suspicion, which fought its way even against the improbability of a mere girl perpetrating a crime from which females are generally free. He examined the draft, and soon saw that the signature was a bad imitation. Thereupon a messenger was despatched to Bristo Street for inquiry. John Carr, taken by surprise, declared that the draft, though written by his daughter, was forged—the forgery being in his own mind attributed to George Lindsay, his young salesman. Enough this for the bank, who had in the first place only to do with the utterer, against whom their evidence as yet only lay. Within a few hours afterwards Effie Carr was in the Tolbooth, charged with the crime of forging a cheque on her father's account-current.
The news soon spread over Edinburgh—at that time only an overgrown village, in so far as regarded local facilities for the spread of wonders. It had begun there, where the mother was in recurring faints, the father in distraction and not less mystery, George Lindsay in terror and pity. And here comes in the next strange turn of our story. Lindsay all of a sudden declared he was the person who imitated the name—a device of the yearning heart to save the girl of his affection from the gallows, and clutched at by the mother and father as a means of their daughter's redemption. One of those thinly-sown beings who are cold-blooded by nature, who take on love slowly but surely, and seem fitted to be martyrs, Lindsay defied all consequences, so that it might be that Effie Carr should escape an ignominious death. Nor did he take time for further deliberation: in less than half an hour he was in the procurator-fiscal's office—the willing self-criminator; the man who did the deed; the man who was ready to die for his young mistress and his love. His story, too, was as ready as it was truth-seeming. He declared that he had got Effie to write out the draft as if commissioned by John Carr; that he took it away, and with his own hands added the name; that he had returned the check to Effie to go with it to the bank, and had received the money from her on her return. The consequence was his wish, and it was inevitable. That same day George Lindsay was lodged also in the Tolbooth, satisfied that he had made a sacrifice of his life for one whom he had loved for years, and who yet had never shown him even a symptom of hope that his love would be returned.