With the World's Great Travellers, Volume 1

by Unknown

To an observer of both places a comparison is naturally suggested between the Natural Bridge and Niagara Falls in respect of the sublime and the beautiful; and, indeed, as in this respect the two greatest works of nature on this continent, they may well be used as illustrations in our American schools of æsthetics. The first is unique in its aspects of nature like art; it is nature with the proportions of art. In its expressions of power, in its concentration of emotion, as when we look at it distinct or complete, it is truly sublime; and its effect is alleviated (for it is a maxim in æsthetics that the sublime cannot be long sustained) by the picturesque scenery which surrounds it. It is a greater natural curiosity and more wonderful than Niagara, although it lacks the elements of sublimity which the other has in sound, and of the visible, actual struggle in which it displays the powers of nature. Niagara is a living thing, while the Natural Bridge is monumental. The first represents the sublime as allied to the terrific,—in contemplating it we are overwhelmed with a sense of our insignificance; while the Natural Bridge associates the sublime with the pleasing and curious, and, not transporting us as violently as Niagara, entertains us more equably, and dismisses us, we think, with more distinct and fruitful perceptions of the grandeur and beneficence and variety of nature which have been distributed in the picture.

[Washington, a century and a half ago, carved his name at a high elevation on the rock walls of the abyss. In 1818 these walls were climbed to the top by James H. Piper, a student of Washington College, Virginia. The narrative here given of this daring feat is from the pen of William A. Caruthers.]

Mr. Piper, the hero of the occasion, commenced climbing on the opposite side of the creek from the one by which the pathway ascends the ravine. He began down on the banks of the brook so far that we did not know where he had gone, and were only apprised of his whereabouts by his shouting above our heads. When we looked up, he was standing apparently right under the arch, I suppose a hundred feet from the bottom, and that on the smooth side, which is generally considered inaccessible without a ladder. He was standing far above the spot where General Washington is said to have inscribed his name when a youth. The ledge of the rock by which he ascended to this perilous height does not appear from below to be three inches wide, and runs almost at right angles to the abutment of the bridge....

The ledge of rock on which he was standing appeared so narrow to us below as to make us believe his position a very perilous one, and we earnestly entreated him to come down. He answered us with loud shouts of derision....

He soon after descended from that side, crossed the brook, and commenced climbing on the side by which all visitors ascend the ravine. He first mounted the rocks on this side, as he had done on the other, far down the abutment, but not so far as on the opposite side. The projecting ledge may be distinctly seen by any visitor. It commences four or five feet from the pathway on the lower side, and winds round, gradually ascending, until it meets the cleft of rock over which the celebrated cedar stump hangs. Following this ledge to its termination, it brought him thirty or forty feet from the ground, and placed him between two deep fissures, one on each side of the gigantic column of rock on which the aforementioned cedar stump stands.

This column stands out from the bridge, as separate and distinct as if placed there by nature on purpose for an observatory to the wonderful arch and ravine which it overlooks. A huge crack or fissure extends from its base to the summit; indeed, it is cracked on both sides, but much more perceptibly on one side than the other. Both of these fissures are thickly overgrown with bushes, and numerous roots project into them from trees growing on the precipice. It was between these that the aforementioned ledge conducted him. Here he stopped, pulled off his coat and shoes and threw them down to me. And this, in my opinion, is a sufficient refutation of the story so often told, that he went up to inscribe his name, and ascended so high that he found it more difficult to return than to go forward. He could have returned easily from the point where he disencumbered himself, but the fact that he did thus prepare so early, and so near the ground, and after he had ascended more than double that height on the other side, is clear proof that to inscribe his name was not, and to climb the bridge was, his object. He had already inscribed his name above Washington himself more than fifty feet.

Around the face of this huge column, and between the clefts, he now moved backward and forward, still ascending as he found convenient foothold. When he had ascended about one hundred and seventy feet from the earth, and had reached the point where the pillar overhangs the ravine, his heart seemed to fail him. He stopped, and seemed to us to be balancing midway between heaven and earth. We were in dread suspense, expecting every moment to see him dashed in atoms at our feet. We had already exhausted our powers of entreaty in persuading him to return, but all to no purpose. Now it was perilous even to speak to him, and very difficult to carry on conversation at all, from the immense height to which he had ascended, and the noise made by the bubbling of the little brook as it tumbled in tiny cascades over its rocky bed at our feet. At length he seemed to discover that one of the clefts before mentioned retreated backward from the overhanging position of the pillar. Into this he sprang at once, and was soon out of sight and out of danger.

There is not a word of truth in all that story about our hauling him up with ropes, and his fainting away so soon as he landed on the summit. Those acquainted with the localities will at once perceive its absurdity; for we were beneath the arch, and it is half a mile round to the top, and for the most part up a rugged mountain. Instead of fainting away, Mr. Piper proceeded down the hill to meet us and obtain his hat and shoes. We met about half-way, and then he lay down for a few moments to recover himself of his fatigue.

[Virginia possesses another marvel of nature’s handiwork of the same general character as the Natural Bridge, and of which Mr. Pollard’s description may here fitly be given.]

After progressing about three miles from the ford of the Clinch River, and after having repeatedly crossed its crooked tributary, Stock Creek, we come to a small mountain or globular hill which is our wondrous destination, for here is the Natural Tunnel. There is nothing which advertises in advance this great wonder, or in any way excites the expectations of the traveller. There is a common road, from which we depart a few hundred yards to make a half circuit of the base of the mountain, that goes clean over the ridge, leading to a settlement some miles farther, called Rye Cove, and which was once the abode of a fierce Indian tribe. This main road goes over the arch of the tunnel, furnishing a curious convenience to the traveller, of which he would be unaware, seeing nothing through the foliage but glimpses of the mural rocks that guard and sustain the termination of the secret passage-way many hundred feet below him. It is from this convenience that the neighboring people name the gigantic work of nature we are proceeding to explore a natural bridge. But this name is certainly insufficient and paltry for a rock-work that on one flank at least extends some eight hundred feet, and which, if regarded with reference to the breadth of the interval it spans, is, in fact, a complication of bridges, arranged, as we shall presently see, in one single massive spectacle.