Barham’s
Life of Hook.
“In person Theodore Hook was above the middle height, his frame was robust and well-proportioned, possessing a breadth and depth of chest which, joined to a constitution naturally of the strongest order, would have seemed, under ordinary care, to hold out promise of a long and healthy life. His countenance was fine and commanding, his features when in repose settling into a somewhat stern and heavy expression, but all alive and alight with genius the instant his lips were opened. His eyes were dark, large, and full—to the epithet [Greek: boôpis] he, not less justly than the venerable goddess, was entitled. His voice was rich, deep, and melodious.”
DAVID HUME
1711-1776
Chambers’s
Eminent
Scotsmen.
“Lord Charlemont, who at this period met with Mr. Hume at Turin, has given the following account of his habits and appearance, penned apparently with a greater aim at effect than at truth, yet somewhat characteristic of the philosopher: ‘Nature, I believe, never formed any man more unlike his real character than David Hume. The powers of physiognomy were baffled by his countenance; neither could the most skilful in the science pretend to discover the smallest trace of the faculties of his mind in the unmeaning features of his visage. His face was broad and fat, his mouth wide, and without any other expression than that of imbecility. His eyes vacant and spiritless; and the corpulence of his whole person was far better fitted to communicate the idea of a turtle-eating alderman than of a refined philosopher. His speech in English was rendered ridiculous by the broadest Scotch accent, and his French was, if possible, still more laughable, so that wisdom most certainly never disguised herself before in so uncouth a garb.’”
Lockhart’s
Peter’s Letters.
“The prints of David Hume are, most of them, I believe, taken from the very portrait I have seen; but of course the style and effect of the features are much more thoroughly to be understood when one has an opportunity of observing them expanded in their natural proportions. The face is far from being in any respect a classical one. The forehead is chiefly remarkable for its prominence from the ear, and not so much for its height. This gives him a lowering sort of look forwards, expressive of great inquisitiveness into matters of fact and the consequences to be deduced from them. His eyes are singularly prominent, which, according to the Gallic system, would indicate an extraordinary development of the organ of language behind them. His nose is too low between the eyes, and not well or boldly formed in any other respect. The lips, although not handsome, have in their fleshy and massy outlines abundant marks of habitual reflection and intellectual occupation. The whole had a fine expression of intellectual dignity, candour, and serenity. The want of elevation, however, which I have already noticed, injures very much the effect even of the structure of the lower part of the head.... It is to be regretted that he wore powder, for this prevents us from having the advantage of seeing what was the natural style of his hair—or, indeed, of ascertaining the form of any part of his head beyond the forehead.”
David Hume’s
Life.