Aubrey’s
Lives of
Eminent
Persons.
*
Campbell’s
Lives of the
Lord
Chancellors.
*
“He had a delicate, lively hazel eie; Dr. Harvey told me it was like the eie of a viper.”
“All accounts represent him as a delightful companion, adapting himself to company of every degree, calling, and humour,—not engrossing the conversation,—trying to get all to talk in turn on the subject they best understood, and not disdaining to light his own candle at the lamp of any other.... Little remains except to give some account of his person. He was of a middling stature; his limbs well-formed though not robust; his forehead high, spacious and open; his eye lively and penetrating; there were deep lines of thinking in his face, his smile was both intellectual and benevolent; the marks of age were prematurely impressed upon him; in advanced life his whole appearance was venerably pleasing, so that a stranger was insensibly drawn to love before knowing how much reason there was to admire him.”
JOANNA BAILLIE
1762-1851
Crabb
Robinson’s
Diary.
“We met Miss Joanna Baillie, and accompanied her home. She is small in figure, and her gait is mean and shuffling, but her manners are those of a well-bred woman. She has none of the unpleasant airs too common to literary ladies. Her conversation is sensible. She possesses apparently considerable information, is prompt without being forward, and has a fixed judgment of her own, without any disposition to force it on others. Wordsworth said of her with warmth, ‘If I had to present any one to a foreigner as a model of an English gentlewoman, it would be Joanna Baillie.’”—1812.
S. C. Hall’s
Memories of
Great Men.
“Of the party I can recall but one; that one, however, is a memory,—Joanna Baillie. I remember her as singularly impressive in look and manner, with the ‘queenly’ air we associate with ideas of high birth and lofty rank. Her face was long, narrow, dark, and solemn, and her speech deliberate and considerate, the very antipodes of ‘chatter.’ Tall in person, and habited according to the ‘mode’ of an olden time, her picture, as it is now present to me, is that of a very venerable dame, dressed in coif and kirtle, stepping out, as it were, from a frame in which she had been placed by the painter Vandyke.”—1825-26.