THE PLANET VENUS
By AGNES M. CLERKE.
I.
HESPERUS AND PHOSPHOR.
The radiant planet that hangs on the skirts of dusk and dawn
"like a jewel in an Ethiop's ear,"
has been known and sung by poets in all ages. Its supremacy over the remainder of the starry host is recognized in the name given it by the Arabs, those nomad watchers of the skies, for while they term the moon "El Azhar," "the Brighter One," and the sun and moon together "El Azharan," "the Brighter Pair," they call Venus "Ez Zahra," the bright or shining one par excellence, in which sense the same word is used to describe a flower. This "Flower of Night" is supposed to be no other than the white rose into which Adonis was changed by Venus in the fable which is the basis of all early Asiatic mythology. The morning and evening star is thus the celestial symbol of that union between earth and heaven in the vivifying processes of nature, typified in the love of the goddess for a mortal.
The ancient Greeks, on the other hand, not unnaturally took the star, which they saw alternately emerging from the effulgence of the rising and setting sun, in the east and in the west, for two distinct bodies, and named it differently according to the time of its appearance. The evening star they called Hesperus, and from its place on the western horizon, fabled an earthly hero of that name, the son of Atlas, who from the slopes of that mountain on the verge of the known world used to observe the stars until eventually carried off by a mighty wind, and so translated to the skies. These divine honors were earned by his piety, wisdom, and justice as a ruler of men, and his name long shed a shimmering glory over those Hesperidean regions of the earth, where the real and unreal touched hands in the mystical twilight of the unknown.