And then “Wild Bill”. This hundred per cent, middle-of-the-road proletarian had been hanging on the outskirts of the meeting, having been forbidden by the local to take part in the speaking, because of the intemperate nature of his utterances; but now, of course, all rules went down, and Bill leaped on to the shaking platform. “Are we slaves?” he yelled. “Are we dogs?” And it would seem that the police thought so, for they yanked him off the platform, and one of them seized him by the wrist and twisted so that his oration ended in a shriek of pain.
Then came Johnny Edge, a shy youth with an armful of literature, which he hung on to in spite of police violence; and then—then there was one more!
Poor Jimmie! He did not in the least want to get arrested, and he was terrified at the idea of making even so short a speech as was here the order of the night. But, of course, his honour was at stake, there was no way out. He handed his torch to a bystander, and mounted the scaffold. “Is this a free country?” he cried. “Do we have free speech?” And Jimmie's first effort at oratory ended in a jerk at his coat-tail, which all but upset the frail platform upon which he stood.
There were four policemen, with six prisoners, and a throng about them howling with indignation, perhaps ready to become violent—who could say? The guardians of order had been prepared however. One of them stepped to the corner and blew his whistle, and a minute later came the shriek of a siren, and round the corner came swinging the city's big patrol-wagon, the “Black Maria”. The crowd gave way, and one by one the prisoners were thrust in. One of them, “Wild Bill”, feeling himself for a moment released from the grip of his captors, raised his voice, shouting through the wire grating of the wagon: “I denounce this outrage! I am a free American—” And suddenly Jimmie, who was next in the wagon, felt himself flung to one side, and a policeman leaped by him, and planted his fist with terrific violence full in the orator's mouth. “Wild Bill” went down like a bullock under the slaughter-man's axe, and the patrol-wagon started up, the cry of its siren drowning the protests of the crowd.
Poor Bill! He lay across the seat, and Jimmie, who had to sit next to him, caught him in his arms and held him. He was quivering, with awful motions like a spasm. He made no sound, and Jimmie was terrified, thinking that he was dying. Before long Jimmie felt a hot wetness stealing over his hands, first slimy, then turning sticky. He had to sit there, almost fainting with horror; he dared not say anything, for maybe the policeman would strike him also. He sat, clutching in his arms the shaking body, and whispering under his breath, “Poor Bill! Poor Bill!”
V.
They came to the station-house, and Bill was carried out and laid on a bench, and the others were stood up before the desk and had their pedigrees taken. Gerrity demanded indignantly to be allowed to telephone, and this demand was granted. He routed Lawyer Norwood from a party, and set him to finding bail; and meantime the prisoners were led to cells.
They had been there only a couple of minutes when there came floating through the row of steel cages the voice of a woman singing. It was Comrade Mabel Smith in that clear sweet voice they had so often listened to on “social evenings” in the local. She was singing the Internationale:
Arise, ye prisoners of starvation.
Arise, ye wretched of the earth!
The sound thrilled them to the very bones, and they joined in the chorus with a shout. Then, of course, came the jailer: “Shut up.” And then again: “Shut up!” And then a third time: “Will ye shut up?” And then came a bucket of water, hurled through the cell bars. It hit Jimmie squarely in the mouth, and in the words of the poet, “the subsequent proceedings interested him no more!”