There were eight stanzas altogether, and when she finished the last of them the dawn was breaking, and it seemed hours since she had begun. As for the baby, he was still crying. She turned and peered at him; his eyelids drooped, and the crying came in spasms and gasps—it sounded very feeble, and a trifle perfunctory. Obviously he could not hold out much longer; Corydon would win, yes, she had won already. She lay still, and thrills of happiness went through her. Was it the poem, or the thought of her release, and the nights of quiet sleep in the future?
When Thyrsis came in, an hour or two later, he found her huddled up in blankets on the floor of the living-room, her cheeks bright, her hair dishevelled. How fascinating she looked in such a guise! She was eagerly pondering her poem; and the baby was sleeping quietly, save for a few convulsive gasps, the last stragglers of his routed forces.
“And oh, Thyrsis,” she exclaimed, “to-morrow night he will only cry half as long, and still less the next night. And soon he will go to sleep quietly like any well brought-up, civilized baby. And, my dear, I believe I’m going to be a poetess—I think that to-night I was really inspired!”
So he made haste to build a fire, and then came and sat and listened to the poem. How eagerly she waited for his verdict! How she hung upon his words! And what should a man do in such a case—should he be a husband or a critic? Should he be an amateur or a professional?
But even as he hesitated, the damage was done. “Oh, you don’t like it!” she cried. “You don’t think it’s good at all!”
“My dear,” he argued, “poetry is such a difficult thing to write. And there are so many standards—a thing can be good, and yet not good! The heights are so far away—”
“But oh, how can I ever get there,” wailed Corydon, “if nobody gives me any encouragement?”
Section 9. The time had now come for Thyrsis to put his job through. There was no longer any excuse for hesitation or delay. The book had come to ripeness in him; the birth-hour was at hand, and he must go and have it out with himself. He explained these things to Corydon, sitting beside her and holding her hands; they ascended once more to the heights of consecration; they renewed their vows of fortitude and faith, and then he went away.
For weeks thereafter he would be like the ghost of a man in the house, haggard and silent and preoccupied. All the work that he had ever done in his life seemed but child’s play in comparison. Before this he had portrayed the struggles of men and women; but now he was to portray the agony of a whole nation—his heart must beat with the pulse of millions of suffering people. And the task was like a fiend that came upon him in the night-time and laid hold of him, dragging him away to sights of terror and madness. He was never safe from the thing for a moment—he could never tell when it might assail him. He might be washing the dishes, or wrestling with the refractory pump; but the vision would come to him, and he would wander off into the forest—perhaps to sit, crouching in the snow, trembling, and staring at the pageant in his soul.
He lived in the midst of battles; the smoke of powder always in his nostrils, the crash of musketry and the thunder of cannon in his ears. He saw the cavalry sweeping over the plains, the infantry crouching behind intrenchments; he heard the yells of the combatants, the shrieks of the wounded and dying; he saw the mangled bodies, and the ground slippery with blood. New aspects of the thing kept coming to him—new glimpses into meanings yet untold. They would come to him in great bursts of emotion, like tempests that swept him away; and these things he had to wrestle with and master. It meant toil, the like of which he had never faced before, a tension of all his faculties, that would last for hours and hours, and leave him bathed in perspiration, and utterly exhausted.