Haddon Channing might have been described as a dilettante radical. He employed a highly-wrought and artificial style, which scintillated with brilliant epigram; one had a feeling that it rather atoned for the evils in human life, that they became the occasion of so much cleverness in Channing’s books. Perhaps that was the reason why most people did not object to the vagueness of his ideas, when it came to any constructive suggestion. In fact he rather made a point of such vagueness—when you tried to do anything about a social evil, that was politics, and politics were vulgar. One could never pin Channing down, but his idea seemed to be that in the end all men would become free and independent spirits, able to make their own epigrams; after which there would be no more evil in the world.
And here he was in the flesh. It seemed to Thyrsis as if he must have made a study of his own books, and then proceeded to fit his person and his clothing, his accent and his manner, to make a proper setting thereto. He was tall and lean, immaculate and refined; he spoke with airy and fastidious grace, pouring out one continuous stream of cleverness—any hour of his conversation was equivalent to a volume of his works at a dollar and a quarter net.
Also, there was Mrs. Channing, gracious and exquisite, looking as if she had stepped out of one of Rossetti’s poems. She was a poetess herself; writing about Acteon, and Antinoüs, and other remote subjects. Thyrsis assumed that there must be something in these poems, for they were given two or three pages in the thirty-five-cent magazines; but he himself had never discovered any reason why he should read one through.
Section 2. They seated themselves upon his six-foot piazza; and Thyrsis, who had very little sense of personality, and was altogether wrapped up in ideas, was soon in the midst of a free and easy discussion with them. It seemed ages since he had had an opportunity to exchange opinions with anyone except Corydon. With these people he roamed over the fields of literature; and as they found nothing to agree about anywhere, the conversation did not flag.
A strange experience it must have been to them, to come to a lonely shanty in the woods, and encounter a haggard boy, in a cotton-shirt and a pair of frayed trousers, who was all oblivious of their elegance, and unawed by their reputation, and who behaved like a bull in the china-shop of their orderly opinions. Mrs. Channing, it seemed, was completing her life-work, a volume which was to revolutionize current criticism, and lead the world back to artistic health; to her, modern civilization was a vast abortion, and in Greek culture was to be sought the fountain-head of health. She sang the praises of Athenian literature and art and life; there was sanity and clarity, there was balance and serenity! And to compare it with the jangled confusion and the frantic strife of modern times!
To which Thyrsis answered, “We’d best let modern times alone. For here you’ve all facts and no generalization; and in the case of the Greeks you’ve all generalization and no facts.”
And so they went at it, hot and heavy. Mrs. Channing, her Greek serenity somewhat ruffled, insisted that she had studied the facts for herself. The other proceeded to probe into her equipment, and found that she knew Homer and Sophocles, but did not know Aristophanes so well, and did not know the Greek epigrams at all. Thyrsis maintained that the dominant note in the Greek heritage was one of bewilderment and despair; in support of which alarming opinion he carried the discussion from the dreams of Greek literature to the realities of Greek life. Did Mrs. Channing know how the Greeks had persecuted all their great thinkers?
Did she know anything about the cruelties of their slave-code?
“Have you ever studied Greek politics?” he asked. “Do you realize, for instance, that it was the custom of statesmen and generals who were defeated by their political rivals, to go over to the enemy and lead an expedition against their homes?”
“Isn’t that putting it rather strongly?” asked Mrs. Channing.