Fig. 44

Fig. 44a

So much for fires, and things associated with fire. Now consider another detail about life in the Yazoo delta, brought out in the course of our psycho-analysis. In the days of Craig’s childhood, poisonous snakes were an ever-present menace, and fear of them had to be taught to children, and could hardly be taught too early. There is a family story of a little tot crawling under the house and coming back to report, “I see nuffin wiv a tail to it!” In the swamps back of Craig’s summer home on the Mississippi Sound I have counted a dozen copperheads and moccasins in the course of a half hour’s walk. Also, her father has some childhood complex buried in his mind, which causes him to have a spell of nausea at the sight of a snake. All this, of course, strongly affected the child’s early days, and now it is in her mental depths. So when I drew a hissing snake, just see the uproar I caused! She made no drawing, but wrote a little essay. I give my drawing, and her essay following (Fig. [45]):

Fig. 45

“See something like kitten with tail and saucer of milk. Now it leaps into action and runs away to outdoors. Turns to fleeing animal outdoors. Great activity among outdoor creatures. Know it’s some outdoor thing, not indoor object—see trees, and a frightened bird on the wing (turned sidewise). It’s outdoor thing, but none of above seems to be it.”

In other words, little Mary Craig Kimbrough is back on the plantation, seeing terror among birds and poultry, and not knowing what causes it! Study the drawing, and you see that I got the action of the snake, but didn’t get the coils very well, so they might be a “saucer of milk”—and a sure-enough kitten’s tail sticking out from it. Another childhood horror here! Craig was a fat little thing, and she slipped and plumped down on her favorite pet kitten, and exploded it.

13

The person whom we are subjecting to this process of psycho-analysis has a strong color sense, and wanted to be a painter. So we note that she “gets” colors and names them correctly. Here is my drawing of what I meant to be a bouquet of pink roses (Figs. 46, 46a):