Fig. 58
Now read the amazing description which my wife had written, seven drawings back, when the first of Mr. Craig’s drawings had come under her hand:
“Some sort of grinning monster—see only the face and a vague idea of deformed neck and shoulders. It is a man, but it looks like a cat’s face, cat eyes and whiskers. Don’t know just how I know it is a man—it is a deformity. Not a cat. See color of skin which is deep, flat pink, as of a colored picture. The face of the creature is broad and weird. The flesh of neck, or somewhere, gives effect of rolls or creases.”
I asked my secretary what this drawing was meant to be, and he said “a Happy Hooligan.” My cultural backwardness is such that I wasn’t sure just what a “Happy Hooligan” might be, but my secretary told me it is a comic supplement figure, and I then looked it up in the paper, and found that the face of the figure as printed is a very pale pink, and the little cap on top is a bright red. I called Mr. Craig on the phone and asked him this question: “If you were to think of a color in connection with a ‘Happy Hooligan,’ what color would it be?” He answered, “Red.”
Now I ask you, what chance do you think there is of a person’s writing a description such as the above by guess work? To be sure, my wife had eight guesses; but do you think that eight million guesses would suffice? And if we call it telepathy, do we say that my wife’s mind has the power to dip into the mind of a young man whom she has never seen, nor even heard of? Or shall we say that his mind affected his brother-in-law’s, the brother-in-law’s affected mine, and mine affected my wife’s? Or, if we decide to call it clairvoyance, or psychometry, then are we going to say there is some kind of vibration or emanation from Mr. Craig’s drawing, so powerful that when one of his drawings is handed to my wife, she gets what is in another drawing which has been done at the same time?
Whatever may be the explanation, here is the fact: Again and again we find Craig getting, not the drawing she is holding under her hand, but the next one, which she has not yet touched. When she picks up the first drawing, she will say, or write: “There is a little man in this series”; or: “There is a snow scene with sled”; or: “An elephant, also a rooster.” I am going to show you these particular cases; but first a word as to how I have counted such “anticipations.”
Manifestly, if I grant the right to more than one guess, I am increasing the chances of guesswork, and correspondingly reducing the significance of the totals. What I have done is this: where such cases have occurred, I have called them total failures, except in a few cases, where the description was so detailed and exact as to be overwhelming—as in the case of this “Happy Hooligan.” Even so, I have not called it a complete success, only a partial success. In order to be classified as a complete success, my wife’s drawing must have been made for the particular drawing of mine which she had in her hand at that time; and throughout this account, the reader is to understand that every drawing presented was made in connection with the particular drawing printed alongside it—except in cases where I expressly state otherwise.
Now for a few of the “anticipations.” In the course of series six, drawn by me on Feb. 8, 1929, drawing number two was a daisy, and Craig got the elements of it, as you see (Figs. [59], [59a]):
