All this family hunts in one pack. They know all each other’s affairs, and take an interest in them, and stand together against the rest of the world. They are a noisy crew, good-humored, careless, but with hot tempers and little control of them—so that when their interests clash and they get on one another’s toes, they quarrel as violently as before they loved. Their conversation is apt to be bewildering to a stranger, for they seldom talk about general questions, having a whole arcanum of family allusions not easily understood. At this meal, for example, they are merry for half an hour over the latest tales of the doings of an older brother of Clive and Harley, who has married a girl with rich parents, but is too proud to take a dollar from them, and is forcing his bride to play at decent poverty. When the provisions run out they visit the Bishop, or the Major, or Uncle Barry, as may be most convenient, and go off with an automobile-load of hams and sausage-puddings and pickles and preserves. How many jokes there are, and what gales of merriment go round the table! The Bishop’s son the first kleptomaniac in the family! Barry’s young giant declaring that a single smile from the bride cost his father a cow and calf! The little girls, Peggy and Maria, chiming in with their tale of how the predatory couple found a lone chicken foraging in the rose-garden, confiscated it, carried it off under Basil’s coat, tied it by the leg under the piazza at the back of their house in town—and then forgot it and let it starve to death!
Sylvia sat watching this tableful of care-free, rollicking people—the men handsome, finely built, well-fed and well-groomed, the women delicate, soft-skinned and exquisitely gowned—representing the best type their civilization could produce. A pleasant scene it was, with snowy damask cloth and bouquets of roses, precious old silver and quaint hand-painted china, with a background of mahogany furniture and paneled walls. She watched Frank in the midst of it, thinking of his home as Harriet had pictured it—the people subdued and sombre, the stamp of poverty upon everything. She was glad to see that he was able to fit himself into the mood of this company, enjoying the sallies of fun and pleasing those he talked to.
The house being full of young couples who wanted to be alone, Sylvia took Frank into the library. She liked this room, with its red leather furniture and cozy fireplace, and queer old book-cases with diamond-shaped panes of glass. She liked it because the lights were on the table, and no woman looks beautiful when lighted from over her head. This may seem a small matter to you, but Sylvia had learned how much depends upon detail. She remembered one of the maxims of Lady Dee: “Get a man on your home-ground, where you can have things as you want them; and then place your chair to show the best side of your face.”
These things I set down as Sylvia told them to me—a long time afterwards, when we could laugh over them. It was a fact about her all the way through, that whatever she did, good or bad, she knew why she was doing it. In this she differed from a good many other women, who are not honest, even with themselves, and who feel that things become vulgar only when they are mentioned. The study of her own person and its charms was of course the very essence of her rôle as a “belle.” At every stage of her life she had been drilled and coached—how to dance, how to enter a drawing-room, how to receive a compliment, how to toy with a suitor. At Miss Abercrombie’s, the young ladies had an etiquette teacher who gave them instructions in the most minute details of their deportment; not to bend your body too much, but mainly your knees, when you sat down; not to let your hands lie flat at your sides, but to turn your little fingers gracefully out; never to hesitate or think of yourself when entering a room, but to fix your thoughts upon some person, and move towards that person with decision. Sylvia had needed this last instruction especially, for in the beginning she had had a terrible time entering rooms. It should be a comfort to some would-be belles to know that Sylvia Castleman, who attained in the end to such eminence in her profession, was at the outset a terrified child with shaking knees and chattering teeth, who never would have gone anywhere of her own choice!
§ 20
Now she was ready to try out all these instructions upon Frank. The scene was set and lighted, the curtain rose—but somehow there was a hitch in the performance. Frank was moody again. He sat staring before him, frowning somberly; and she looked at him in a confusion of anxieties. He did not love her after all—she had simply seized upon him and compelled his attention, and now he was longing to extricate himself! Even if this were not true, it would soon come to that, for she could think of nothing interesting to say, and he would be bored.
She racked her wits. What could she talk about to a man who knew none of her “set,” who never went to balls or dinners, who could not conceivably care about polite gossip? Why didn’t he say something—the silent man! What manners to take into company!
“I must make him look at me,” she resolved. So without saying a word, she began taking a rose from her corsage and adjusting it in her hair. The motion distracted him, and she saw that he was watching. She had him!
“Is that in right?” she asked. Of course a la France rose in perfectly arranged hair is always “in right,” and Sylvia knew it. Her little device failed abjectly, for Frank answered simply “Yes,” and began staring into space again.
She tried once more, contenting herself with the barest necessities of conversation. “Did you shoot those quail yourself?”