I have seen her, too, when she was strong and happy, and then she would be well-made and shapely, with a charm of a more earthly sort. Then her color would be like the roses she always carried; and in each of her cheeks would appear the most adorable of dimples, and under her chin another. She had a nose that was very straight and finely carved; and right in the center, under the tip, the sculptor had put a tiny little groove. She had also a chin that was very straight, and right in the center of this was a corresponding little groove. You will laugh perhaps; but those touches added marvelously to the expressiveness of her countenance. How they would shift and change when, for instance, her nostrils quivered with anger, or when the imp of mischievousness took possession of her, and the network of quaint wrinkles gathered round her eyes!
Dimples, I know, are an ultra-feminine property; but Sylvia’s face was not what is ordinarily called feminine—it was a kind of face that painters would give to a young boy singing in a church. I used to tell her that it was the kind they gave to angels of the higher orders; whereupon she would put her arms about me and whisper, “You old goose!” She had a pair of the strangest red-brown eyes, soft and tender; and then suddenly lighting up—shining, shining!
I don’t know if I make you see her. I can add only one detail more, the one that people talked of most—her hair. You may see her hair, very beautifully done, in the portrait of Lady Lysle. The artist was shrewd and put the great lady in a morning robe, standing by the open window, the sunlight falling upon a cascade of golden tresses. The color of Sylvia’s hair was toned down when I knew her, but they told me that in her prime it had been vivid to outrageousness. I sit before the painting, and the present slips away and I see her as she was in the glow of her youth—eager, impetuous, swept with gusts of merriment and tenderness, like a mountain lake in April.
So the old chroniclers report her, nine generations back, when she came over to marry the Governor of Massachusetts! They have her wedding gown preserved in a Boston Museum, and the Lysles have a copy of it, so that each generation can be married in one like it. But Sylvia was the first it became, being the first blonde since her great progenitor. How strange seems such a whim of heredity—not merely the color of the hair and eyes, the cut of the features, but a whole character, a personality hidden away somewhere in the germ-plasm, and suddenly breaking out, without warning, after a couple of hundred years!
§ 3
When I think of Sylvia’s childhood and all the hairbreadth escapes of which she told me, I marvel that she ever came to womanhood. It would seem to be a perilous part of the world to raise children in, with horses and dogs and guns, and so many half-tamed negroes—to say nothing of all the half-tamed white people. Sylvia had three younger sisters and whole troops of cousins—the Bishop’s eleven children, and the children of Barry Chilton, his brother. I picture their existence as one long series of perilous escapes, with runaway horses, kicking mules and biting dogs, and negroes who shot and stabbed one another in sudden, ferocious brawls, or set fire to Castleman Hall in order that some other negro might be suspected and lynched.
Also there were the more subtle perils of the pantry and the green-apple orchard. I did not see any accident during my brief stay at the place, but I saw the dietetic ferocities of the family and marveled at them. It seemed to me that the life of that most precious of infants, Castleman Lysle, was one endless succession of adventures with mustard and ipecac and castor oil. I want somehow to make you realize this world of Sylvia’s, and I don’t know how I can do it better than by telling of my first vision of that future heir of all the might, majesty and dominion of the Lysles. It was one of the rare occasions when the Major was taking him on a journey. The old family horses were hitched to the old family carriage, and with a negro on the box, another walking at the horses’ heads, a third riding on a mule behind, and a fourth sent ahead to notify the police, the procession set forth to the station. I know quite well that I shall be called a liar; yet I can only give my solemn word that I saw it with my own eyes—the chief of police, duly notified, had informed all the officers on duty, and the population of a bustling town of forty thousand inhabitants, in the United States of America in the twentieth century, were politely requested not to drive automobiles along the principal avenue during the half hour that it took to convey Master Lysle to the train! And of course such a “request” was a command to all the inhabitants who were genteel enough to own automobiles. Was not this the grandson of the late General Castleman, the grand-nephew of a former territorial governor? Was he not the heir of the largest, the oldest and the most famous plantation in the county, the future dispenser of favors and arbiter of social fates? Was he not, incidentally, the brother of the loveliest girl in the state, to whom most of the automobile owners in the town had made violent love?
I would like to tell more about that world and Sylvia’s experiences in it—some of those amazing tales! Of the negro boy who bit a piece out of the baby’s leg, because he had heard someone say that the baby looked sweet enough to eat; of the negro girl who heard a war-story about “a train of gun-powder,” and proceeded with Sylvia’s aid to lay such a train from the cellar to the attic of the house. I would like to tell the whole story of her girlhood, and the strange ideas they taught her; but I have to pick and choose, saving my space for the things that are necessary to the understanding of her character.
Sylvia’s education was a decidedly miscellaneous one at first. “I think it is time the child had some regular training,” her great-aunt, Lady Dee, would say to the child’s mother. “Yes, I suppose you are right,” would be the answer. But then Lady Dee would go, and Major Castleman would come in, observing, “It’s marvelous the way that child picks things up, Miss Margaret.” (A habit from his courtship days, you understand.) “We must be careful not to overstimulate her mind.” To which his wife would respond, agreeably, “I’m sure you know best, Mr. Castleman.”
Every morning Sylvia would go with her father on his rounds to interview the managers of the three plantations; the Major in his black broadcloth frock-coat, a wide black hat and a white “bosom” shirt, riding horseback with an umbrella over his head, and followed at a respectful distance by his “boy” upon a mule. On these excursions Sylvia would recite the multiplication table, and receive lessons in the history of her country, from the point of view of its unreconstructed minority. Also she had lessons on this subject from her great-aunt, who never paid one of her numerous servants their small quarterly stipend that she did not exclaim: “Oh, how I hate the Yankees!”