But, oh, the grief of the parents on both sides of this ill-assorted match! Quite literally, if a bomb had exploded in the midst of their summer vacation, it could not have discommoded them more. A clamor of horrified protests broke out. “But you are crazy! You are nothing but children! And you have no money! How can people get married without a cent in the world!” The two mothers fell to disagreeing as to which of their offspring was the more to blame, and so an old-time friendship passed into temporary eclipse. Corydon was hastily spirited away to another summer resort; but not until she had taken a solemn vow—to learn the German language more rapidly than Thyrsis had learned it!
At the end of October the poet returned to New York with an invisible crown on his brow and inaudible trumpets pealing in his ears. He and Corydon proceeded to spend all day and half the night reading Goethe’s Iphigenia in Tauris and practicing Mozart’s sonatas for violin and piano. But there developed grave obstacles to this program. Corydon’s family was inconvenienced if Thyrsis arrived at the apartment before breakfast; also, the mother of Thyrsis adhered stubbornly to the idea that Corydon ought not to play the piano later than eleven in the evening, and should be taken home before her family went to bed. There was only one way in the world to escape such fetters—by means of a marriage license.
Thyrsis had only ten or fifteen dollars, but was wealthy in the certain future of his masterpiece. So the young couple went to the study of the Reverend Minot J. Savage at the Church of the Messiah and were pronounced man and wife. By this step, as Thyrsis quickly discovered, he had deprived himself of the last chance of getting help in his literary career. With one accord, all relatives and friends now agreed that he must “go to work.” And by this phrase they did not mean eight hours a day of Goethe plus six of Mozart; they did not mean even the writing of great American novels; they meant getting a job with a newspaper, or perhaps with a bonding company.
III
Something happened that the author of Springtime and Harvest had not dreamed of in his most pessimistic moment; a publisher rejected the novel. Several publishers rejected it, one after another! The Macmillans were first, and Scribner’s second; Brander Matthews kindly read the manuscript and passed it on to W. C. Brownell, literary adviser of Scribner’s, and I went to see this soft-spoken, gray-bearded critic, who explained his opinion that the book was not one that would sell. What that had to do with the matter was not clear to me. Again and again those in authority had to explain that they were representing businessmen who had capital invested in the publishing of books and who desired to receive dividends on that capital. I could understand such a business fact; what I couldn’t understand was how men employed for such a purpose could consider themselves critics, and be solemnly discussed as critics by other critics like themselves.
Professor Matthews saw me at his home—very fashionable, on West End Avenue, the walls of the study lined with rare editions and autographed pictures and such literary trophies. He was sorry, he said, but he had no further suggestions to offer. When I asked about the possibility of publishing the book myself, he advised strongly against it; there would be no way to market the book. When I suggested that I might market it to everybody I knew, a chill settled over the conversational atmosphere. “Of course, if you are willing to do anything like that—” When I persisted in talking about it, I completely lost caste with my “man of the world” professor, and never regained it.
I wrote a potboiler, and earned a couple of hundred dollars, and borrowed another two hundred from my uncle, and went downtown and shopped among printers until I found one who would make a thousand copies of a cheap and unattractive-looking little red volume, such as my ascetic notions required. The book contained a preface, telling how it had been written and what a wonderful book it was. This preface was made into a pamphlet and sent to everybody I knew—not so very many, but by dint of including my father’s friends and my mother’s, there were several hundred names. The price of the book was one dollar; about two hundred copies were sold, just enough to pay back the debt to my uncle.
The pitiful little book with its pitiful little preface was sent to all the New York newspapers; two of them, the Times and the American, sent a reporter to see the author. Hopes mounted high, but next morning they dropped with a thud. All the picturesque details about the young poet and his wife were there, but not one word of the wonderful message he hoped to deliver to mankind. Incidentally, the author learned the value of personal publicity in the marketing of literature. As a result of a column apiece in the two largest morning papers of New York, he sold two copies of Springtime and Harvest. He knew—because they were the only two copies sold to strangers.
Corydon and Thyrsis were now fast in the “trap” of marriage; living in one crowded room, opening on an airshaft, in a flat belonging to the mother and father of Thyrsis. The would-be creative artist was writing potboilers in order to pay the board of his wife and himself; incidentally, he was learning the grim reality behind those mother-in-law jokes he had written so blithely a few years back! The mother of Thyrsis did not like Corydon; she would not have liked a female angel who had come down to earth and taken away her darling son, until recently destined to become an admiral, or else a bishop, or else a Supreme Court judge. Neither did the mother of Corydon like Thyrsis; she would not have liked a male angel who had taken a daughter without having money to take proper care of her.
The idea of a marriage that involved no more than the reading of German and the playing of violin and piano duets had been broken up by an old family doctor, who insisted that it was not in accordance with the laws of physiology. He made Thyrsis acquainted with the practice of birth control; but alas, it turned out that his knowledge had not been adequate; and now suddenly the terrified poet discovered the purpose of the trap into which mother nature had lured him. Corydon was going to have a baby; and so the reading of German and the playing of violin and piano duets gave place to visiting other doctors, who professed to know how to thwart the ways of nature; then rambling about in the park on chilly spring days, debating the problem of “to be or not to be” for that incipient baby.