He was looking her fairly in the face, and he could read the sudden fear and wild uncertainty that leaped into her eyes. “I—I had to go to—to the store,” she gasped, almost in a whisper, “I had to go—”
“You are lying to me,” said Jurgis. Then he clenched his hands and took a step toward her. “Why do you lie to me?” he cried, fiercely. “What are you doing that you have to lie to me?”
“Jurgis!” she exclaimed, starting up in fright. “Oh, Jurgis, how can you?”
“You have lied to me, I say!” he cried. “You told me you had been to Jadvyga’s house that other night, and you hadn’t. You had been where you were last night—somewheres downtown, for I saw you get off the car. Where were you?”
It was as if he had struck a knife into her. She seemed to go all to pieces. For half a second she stood, reeling and swaying, staring at him with horror in her eyes; then, with a cry of anguish, she tottered forward, stretching out her arms to him. But he stepped aside, deliberately, and let her fall. She caught herself at the side of the bed, and then sank down, burying her face in her hands and bursting into frantic weeping.
There came one of those hysterical crises that had so often dismayed him. Ona sobbed and wept, her fear and anguish building themselves up into long climaxes. Furious gusts of emotion would come sweeping over her, shaking her as the tempest shakes the trees upon the hills; all her frame would quiver and throb with them—it was as if some dreadful thing rose up within her and took possession of her, torturing her, tearing her. This thing had been wont to set Jurgis quite beside himself; but now he stood with his lips set tightly and his hands clenched—she might weep till she killed herself, but she should not move him this time—not an inch, not an inch. Because the sounds she made set his blood to running cold and his lips to quivering in spite of himself, he was glad of the diversion when Teta Elzbieta, pale with fright, opened the door and rushed in; yet he turned upon her with an oath. “Go out!” he cried, “go out!” And then, as she stood hesitating, about to speak, he seized her by the arm, and half flung her from the room, slamming the door and barring it with a table. Then he turned again and faced Ona, crying—“Now, answer me!”
Yet she did not hear him—she was still in the grip of the fiend. Jurgis could see her outstretched hands, shaking and twitching, roaming here and there over the bed at will, like living things; he could see convulsive shudderings start in her body and run through her limbs. She was sobbing and choking—it was as if there were too many sounds for one throat, they came chasing each other, like waves upon the sea. Then her voice would begin to rise into screams, louder and louder until it broke in wild, horrible peals of laughter. Jurgis bore it until he could bear it no longer, and then he sprang at her, seizing her by the shoulders and shaking her, shouting into her ear: “Stop it, I say! Stop it!”
She looked up at him, out of her agony; then she fell forward at his feet. She caught them in her hands, in spite of his efforts to step aside, and with her face upon the floor lay writhing. It made a choking in Jurgis’ throat to hear her, and he cried again, more savagely than before: “Stop it, I say!”
This time she heeded him, and caught her breath and lay silent, save for the gasping sobs that wrenched all her frame. For a long minute she lay there, perfectly motionless, until a cold fear seized her husband, thinking that she was dying. Suddenly, however, he heard her voice, faintly: “Jurgis! Jurgis!”
“What is it?” he said.