CHAPTER XVI.

Montague came back to the city, and dug into his books again; while Alice gave her spare hours to watching the progress of the new gown in which she was to uphold the honour of the family at Mrs. Devon’s opening ball. The great event was due in the next week and Society was as much excited about it as a family of children before Christmas. All whom Montague met were invited and all were going unless they happened to be in mourning. Their gossip was all of the disappointed ones, and their bitterness and heartburning.

Mrs. Devon’s mansion was thrown open early on the eventful evening, but few would come until midnight. It was the fashion to attend the Opera first, and previous to that half a dozen people would give big dinners. He was a fortunate person who did not hear from his liver after this occasion; for at one o’clock came Mrs. Devon’s massive supper, and then again at four o’clock another supper. To prepare these repasts a dozen extra chefs had been imported into the Devon establishment for a week—for it was part of the great lady’s pride to permit no outside caterer to prepare anything for her guests.

Montague had never been able to get over his wonder at the social phenomenon known as Mrs. Devon. He came and took his chances in the jostling throngs; and except that he got into casual conversation with one of the numerous detectives whom he took for a guest he came off fairly well. But all the time that he was being passed about and introduced and danced with, he was looking about him and wondering. The grand staircase and the hall and parlours had been turned into tropical gardens, with palms and trailing vines, and azaleas and roses, and great vases of scarlet poinsettia, with hundreds of lights glowing through them. (It was said that this ball had exhausted the flower supply of the country as far south as Atlanta.) And then in the reception room one came upon the little old lady, standing’ beneath a bower of orchids. She was clad in a robe of royal purple trimmed with silver, and girdled about with an armour-plate of gems. If one might credit the papers, the diamonds that were worn at one of these balls were valued at twenty million dollars.

The stranger was quite overwhelmed by all the splendour. There was a cotillion danced by two hundred gorgeously clad women and their partners—a scene so gay that one could only think of it as happening in a fairy legend, or some old romance of knighthood. Four sets of favours were given during this function, and jewels and objects of art were showered forth as if from a magician’s wand. Mrs. Devon herself soon disappeared, but the riot of music and merry-making went on until near morning, and during all this time the halls and rooms of the great mansion were so crowded that one could scarcely move about.

Then one went home, and realized that all this splendour, and the human effort which it represented, had been for nothing but a memory! Nor would he get the full meaning of it if he failed to realize that it was simply one of thousands—a pattern which every one there would strive to follow in some function of his own. It was a signal bell, which told the world that the “season” was open. It loosed the floodgates of extravagance, and the torrent of dissipation poured forth. From then on there would be a continuous round of gaieties; one might have three banquets every single night—for a dinner and two suppers was now the custom, at entertainments! And filling the rest of one’s day were receptions and teas and musicales—a person might take his choice among a score of opportunities, and never leave the circle he met at Mrs. Devon’s. Nor was this counting the tens of thousands of aspirants and imitators all over the city; nor in a host of other cities, each with thousands of women who had nothing to do save to ape the ways of the Metropolis. The mind could not realize the volume of this deluge of destruction—it was a thing which stunned the senses, and thundered in one’s ears like Niagara.

The meaning of it all did not stop with the people who poured it forth; its effects were to be traced through the whole country. There were hordes of tradesmen and manufacturers who supplied what Society bought, and whose study it was to induce people to buy as much as possible. And so they devised what were called “fashions”—little eccentricities of cut and material, which made everything go out of date quickly. There had once been two seasons, but now there were four; and through window displays and millions of advertisements the public was lured into the trap. The “yellow” journals would give whole pages to describing “What the 400 are wearing”; there were magazines with many millions of readers, which existed for nothing save to propagate these ideas. And everywhere, in all classes of Society, men and women were starving their minds and hearts, and straining their energies to follow this phantom of fashion; the masses were kept poor because of it, and the youth and hope of the world was betrayed by it. In country villages poor farmers’ wives were trimming their bonnets over to be “stylish”; and servant-girls in the cities were wearing imitation sealskins, and shop-clerks and sempstresses selling themselves into brothels for the sake of ribbons and gilt jewellery.

It was the instinct of decoration, perverted by the money-lust. In the Metropolis the sole test of excellence was money, and the possession of money was the proof of power; and every natural desire of men and women had been tainted by this influence. The love of beauty, the impulse to hospitality, the joys of music and dancing and love—all these things had become simply means to the demonstration of money-power! The men were busy making more money—but their idle women had nothing in life save this mad race in display. So it had come about that the woman who could consume wealth most conspicuously—who was the most effective instrument for the destroying of the labour and the lives of other people—this was the woman who was most applauded and most noticed.

The most appalling fact about Society was this utter blind materialism. Such expectations as Montague had brought with him had been derived from the literature of Europe; in a grand monde such as this, he expected to meet diplomats and statesmen, scientists and explorers, philosophers and poets and painters. But one never heard anything about such people in Society. It was a mark of eccentricity to be interested in intellectual affairs, and one might go about for weeks and not meet a person with an idea. When these people read, it was a sugar-candy novel, and when they went to the play, it was a musical comedy. The one single intellectual product which it could point to as its own, was a rancid scandal-sheet, used mainly as a means of blackmail. Now and then some aspiring young matron of the “élite” would try to set up a salon after the fashion of the continent, and would gather a few feeble wits about her for a time. But for the most part the intellectual workers of the city held themselves severely aloof; and Society was left a little clique of people whose fortunes had become historic in a decade or two, and who got together in each other’s palaces and gorged themselves, and gambled and gossiped about each other, and wove about their personalities a veil of awful and exclusive majesty.

Montague found himself thinking that perhaps it was not they who were to blame. It was not they who had set up wealth as the end and goal of things—it was the whole community, of which they were a part. It was not their fault that they had been left with power and nothing to use it for; it was not their fault that their sons and daughters found themselves stranded in the world, deprived of all necessity, and of the possibility of doing anything useful.