LESSON 21.
Half the giant’s strength is in the conviction that he is a giant. The strength of a muscle is enhanced a hundred-fold by the will power. The same muscle, when removed from the giant’s arm—when divorced from the force of the mighty will—can sustain but a fraction of the weight it did a moment before it was disconnected.
If you have been studying these lessons aright, you have not only developed strong muscles, but you have also developed an understanding of the tremendous power you wield over them.
When your brain wills that the finger move quickly and with precision, it should be enough. Without thought, effort, your will should be carried out. There should be no faltering about this movement because the demand was definite, and the muscles have been trained in obedience.
Whenever you are called upon to play, always bear in mind your complete mastery over your fingers. You have nothing to worry about. You can depend on your tools. Give your attention to the soul meaning of the composition you are playing; or, if you are doing accompaniment work, make a conscious effort to efface yourself and make the soloist stand out, the predominant influence.
In passing from the silent exercises to the instrument, you must be careful still to maintain the correct muscular movements.
Practice Exercises 13, 21, 24, and 30.
LESSON 22.
Candidly, there is lots of room at the top in the world or music, just as in any other line of endeavor. On the other hand, there is a clammering, cluttering turmoil down at the bottom. Your own position is like that of a sensible tourist in the Alps who hires a competent guide and provides himself with the necessary trappings for safe climbing.
There is no law to prevent this traveler inviting the guide to sit down with him at the hotel in the valley and play pinochle. True, he pays pretty heavily for the unused equipment and for the companionship. Besides that, he never does see the glories of the heights. But that is his privilege.