§ 11. Centre of Pressure on Arched Surfaces.—Wilbur Wright in his explanation of this reversal says: "This phenomenon is due to the fact that at small angles the wind strikes the forward part of the aerofoil surface on the upper side instead of the lower, and thus this part altogether ceases to lift, instead of being the most effective part of all." The whole question hangs on the value of the critical angle at which this reversal takes place; some experiments made by Mr. M.B. Sellers in 1906 (published in "Flight," May 14, 1910) place this angle between 16° and 20°. This angle is much above that used in model aeroplanes, as well as in actual full-sized machines. But the equilibrium of the model might be upset, not by a change of attitude on its part, but on that of the wind, or both combined. By giving (as already advised) the aerofoil a high aspect ratio we limit the travel of the centre of pressure, for a high aspect ratio means, as we have seen, a short chord; and this is an additional reason for making the aspect ratio as high as practically possible. The question is, is the critical angle really as high as Mr. Seller's experiments would show. Further experiments are much needed.


CHAPTER VII.

MATERIALS FOR AEROPLANE
CONSTRUCTION
.

§ 1. The choice of materials for model aeroplane construction is more or less limited, if the best results are to be obtained. The lightness absolutely essential to success necessitates—in addition to skilful building and best disposition of the materials—materials of no undue weight relative to their strength, of great elasticity, and especially of great resilience (capacity to absorb shock without injury).

§ 2. Bamboo.—Bamboo has per pound weight a greater resilience than any other suitable substance (silk and rubber are obviously useless as parts of the framework of an aeroplane). On full-sized machines the difficulty of making sufficiently strong connections and a liability to split, in the larger sizes, are sufficient reasons for its not being made more use of; but it makes an almost ideal material for model construction. The best part to use (split out from the centrepiece) is the strip of tough wood immediately below the hard glazed surface. For struts, spars, and ribs it can be used in this manner, and for the long strut supporting the rubber motor an entire tube piece should be used of the requisite strength required; for an ordinary rubber motor (one yard long), 30 to 50 strands, this should be a piece 3/8 in. in diameter, and weight about 5/8 oz. per ft. Bamboo may be bent by either the "dry" heat from a spirit lamp or stove, or it may be steamed, the latter for preference, as there is no danger of "scorching" the fibres on the inside of the bend. When bent (as in the case of other woods) it should be bound on to a "former" having a somewhat greater curvature than the curve required, because when cool and dry it will be sure to "go back" slightly. It must be left on the former till quite dry. When bending the "tube" entire, and not split portions thereof, it should be immersed in very hot, or even boiling, water for some time before steaming. The really successful bending of the tube en bloc requires considerable patience and care.

Bamboo is inclined to split at the ends, and some care is required in making "joints." The ribs can be attached to the spars by lashing them to thin T strips of light metal, such as aluminium. Thin thread, or silk, is preferable to very thin wire for lashing purpose, as the latter "gives" too much, and cuts into the fibres of the wood as well.

§ 3. Ash, Spruce, Whitewood are woods that are also much used by model makers. Many prefer the last named owing to its uniform freedom from knots and ease with which it can be worked. It is stated 15 per cent. additional strength can be imparted by using hot size and allowing it to soak into the wood at an increase only of 3·7 per cent. of weight. It is less than half the weight of bamboo, but has a transverse rupture of only 7,900 lb. per sq. in. compared to 22,500 in the case of bamboo tubing (thickness one-eighth diameter) and a resilience per lb. weight of slightly more than one half. Some model makers advocate the use of poplar owing to its extreme lightness (about the same as whitewood), but its strength is less in the ratio of about 4:3; its resilience is very slightly more. It must be remembered that wood of the same kind can differ much as to its strength, etc., owing to what part of the tree it may have been cut from, the manner in which it may have been seasoned, etc. For model aeroplanes all wood used should have been at least a year in seasoning, and should be so treated when in the structure that it cannot absorb moisture.

If we take the resilience of ash as 1, then (according to Haswell) relative resilience of beech is 0·86, and spruce 0·64.