“I remember how entranced I was,” he went on, altering his tone, “by the sense of ritual in the labouring year. I thought of the country as a vast cathedral, teeming with worshippers, all passing in unison from ceremony to ceremony as the months revolved. When I had come to join the congregation, apse and column and nave were rich with fruit, the common fruit of the English countryside, plum and apple, damson and pear, curved and coloured and glowing with the quality of jewels; then busy hands came, and packed and stored the harvest into bins, and colour went from the place, and it grew dark. A long pause full of meditation fell. The trees slept, men worked quickly and silently, no more than was imperative, and from darkened corners spread the gleam of fires which they had lighted for their warmth and comfort. But then, oh! then the place was suddenly full of young living things, and of a light like pearls; children laughed, and over the ground swept a tide which left it starred with flowers, and a song arose, full of laughter and the ripple of brooks. The spring had come.”
He was strangely exalted. I knew that my presence was forgotten.
“The shepherd and his nymph were not long lacking in this Arcadian world. I met them crossing the fields, I spied them beneath the hedges, I learned to step loudly before entering the dairy with my pails of milk. I loved them, more perhaps as a part of the picture than for their own sakes. To me they were Daphnis and Chloe, not the game-keeper’s son and the farmer’s daughter.
“The match was favourably viewed by Amos Pennistan, though Nancy was but eighteen and her lover two years older. I was honoured by an invitation to the wedding. I had already woven a little tale for myself around those country nuptials, a celebration which, although slightly irregular, would have become my lovers better than the parochial gentility which did actually attend their union. I had pictured them by a brook, Daphnis in, to our minds, becomingly inadequate clothing, Chloe’s muslin supplemented by chains of meadow flowers such as the children weave, accompanied by their flocks and the many young creatures, lambs, kids, and calves, as are characteristic of that least virginal of seasons. No wooing; no; or if there must be wooing, let it be sudden and primitive, and of the nature of a revelation, and let the oak trees be their roof that night, and the stars the witnesses of their natural and candid passion. But passion, poor soul! was put into stays and stockings, had his mad gallop checked into a walk, while fingers poked, eyes peeped, and tongues clacked round the prisoner. Alas for the secret of Daphnis and Chloe; shorn of the dignity of secrecy, it glared in the printed column, was brayed out from the pulpit, was totted up in pounds and shillings. Food entered to play his hospitable and clumsy part. For days Mrs. Pennistan baked, roasted, and kneaded cakes and pastries, and daily as she did it her temper disimproved. Such beauty as was Chloe’s, the beauty of health and artlessness, was devastated by the atrocious trappings of respectability....
“What a commonplace tale! you will say, and a vulgar one into the bargain! and indeed you will be right, if a miracle can become a commonplace through frequent working, and if you look upon the marriage of two young creatures as a social convenience, ordained, as we are told, for the procreation of lawful children. I have told you nothing but the love of rustic clowns. But as the great words of language, life and death, love and hate, sin, birth, war, bread and wine, are short and simple, and as the great classical emotions are direct and without complexity, so my rustic clowns are classical and enduring, because Adam and Eve, Daphnis and Chloe, Dick and Nancy, are no more than interchangeable names throughout the ages.
“My Arcady missed its lovers. I realised after they had gone that they had been real lovers, imperative to one another, and that they had not simply drifted into marriage as a result of upbringing and propinquity. Had their parents’ consent been for some reason refused, they would, I am convinced, have gone away together. Amos Pennistan, in one of his rare moments of expansion, told me as much himself. ‘Nancy,’ he said, ‘it never did to cross Nancy. She was strong-willed from three months upward. Ruth, now, she’s a steady, tractable girl for all her dark looks. Of the two, give me Ruth as a daughter.’
“You may imagine my profound interest in the study of this strain sprung from the stock of Concha and Oliver Pennistan. Here I had Nancy, with her slight English prettiness, and the fiery will which might never be crossed; and Ruth, who looked like a gipsy and was in fact steady and tractable. I could not help feeling that fate had her hand on these people, and mocked and pushed them hither and thither in the thin disguise of heredity. You remember Francis Galton and the waltzing mice, how he took the common mouse and the waltzing mouse, and mated them, and how among their progeny there were a common mouse, a black and white mouse, and a mouse that waltzed; and how in the subsequent generations the common brown house mouse predominated, but every now and then there came a mouse that waltzed and waltzed, restless and tormented, until in the endless pursuit of its tail it died, dazed, blinded, perplexed, by the relentless fate that had it in grip. Well, I had my mice in a cage, and Concha, the dancer, the waltzing mouse, sat mumbling by the fire.”
I shuddered. I did not understand Malory. He had spoken of the violence of his feeling when he first caught sight of Ruth; I could not reconcile that mood with his present chill analysis.
“You held a microscope over their emotions,” I said.
“I was afraid there would not be many emotions left now that Nancy was gone,” he replied regretfully. “I missed her as a study, and I missed her as an intrinsic part of my Arcady. I turned naturally for compensation to Ruth and to Rawdon Westmacott, but here I realised at once that I must dissociate the figures from the landscape. They would not fit. No; contrive and compress them as I might, they would not fit. I am very sensitive to the relation of the picture to the frame, and I was troubled by their southern exuberance in the midst of English hay and cornfields. Now could I but have had them here ...” and again the cropping goats, the mountains, and the torrent rushed across the magic lantern screen in my mind.