It was seven o’clock. The wife had put her babies to bed. She sat on the opposite side of the fire from us. Eight o’clock was bedtime, the host had to go to work so early. But our three hearts were bright as the burning pine for an hour.
You have enjoyed the golden embossed brocades of Hokusai. You have felt the charm of Maeterlinck’s “The Blind.” Think of these, then think of the shoulders of the Man Under the Yoke, embossed by the flame. Think of his voice as an occult instrument, while he burned a bit of crackling brush, and spoke of the love he bore that fireplace, the memory of evenings his neighbors had spent there with him, the stories told, the pipes smoked, the good silent times with wife and children. It was said by hints, and repetitions, and broken syllables, but it was said. We ate and drank in the land of heart’s desire. This man and his wife sighed at the fitting times, and smiled, when to smile was to understand, while I recited a few of the rhymes of the dear singers of yesterday and to-day: Yeats and Lanier, Burns and even Milton. This fire was the treasure at the end of the rainbow. I had not been rainbow-chasing in vain.
As my host rose and knocked out his pipe, he told how interesting lumbering with oxen could be made, if a man once understood how they were driven. He assured me that the most striking thing in all these woods was a team of ten oxen. He directed me to a road whereby I would be sure to see half a dozen to-morrow. He said if ever I met a literary man, to have him write them into verses. Therefore the next day I took the route and observed: and be sure, if ever I meet the proper minstrel, I shall exhort him with all my strength to write the poem of the yoke.
As to that night, I slept in that room in the corner away from the fireplace. One comfort was over me, one comfort and pillow between me and the dark floor. The pillow was laundered at the same time as the shirt of my host. There was every reason to infer that the pillow and comfort came from his bed.
They slept far away, in some mysterious part of the empty house. I hoped they were not cold. I looked into the rejoicing fire. I said: “This is what I came out into the wilderness to see. This man had nothing, and gave me half of it, and we both had abundance.”
THE MAN WITH THE APPLE-GREEN EYES
Remember, if you go a-wandering, the road will break your heart. It is sometimes like a woman, caressing and stabbing at once. It is a mystery, this quality of the road. I write, not to explain, but to warn, and to give the treatment. Comradeship and hospitality are opiates most often at hand.
I remember when I encountered the out-poured welcome of an Old Testament Patriarch, a praying section boss in a gray log village, one Monday evening in north Florida. He looked at me long. He sensed my depression. He made me his seventh son.
He sent his family about to announce my lecture in the schoolhouse on “The Value of Poetry.” Enough apple-cheeked maidens, sad mothers, and wriggling, large-eyed urchins assembled to give an unconscious demonstration of the theme.
The little lamp spluttered. The windows rattled. Two babies cried. Everybody assumed that lectures were delightful, miserable, and important. The woman on the back seat nursed her baby, reducing the noise one-third. When I was through shouting, they passed the hat. I felt sure I had carried my point. Poetry was eighty-three cents valuable, a good deal for that place. And the sons of the Patriarch were the main contributors, for before the event he had thunderously exhorted them to be generous. I should not have taken the money? But that was before I had a good grip on my rule.