“Ah!” she cried, “comme je suis heureuse de vous voir! It is good of you to come!”
And then, without any warning, she burst into tears and putting her hands on the man’s shoulders, hid her head against his chest and sobbed bitterly.
Desmond took one of her hands, small and soft and warm, and gently disengaged her. His mind was working clearly and rapidly. He felt sure of himself, sure of his disguise; if this were an exhibition of woman’s wiles, it would find him proof; on that he was resolved. Yet, dissolved in tears as she was, with her long lashes glistening and her mouth twitching pitifully, the dancer seemed to touch a chord deep down in his heart.
“Come, come,” said Desmond gutturally, with a touch of bonhomie in his voice in keeping with his ample girth, “you mustn’t give way like this, my child! What’s amiss? Come, sit down here and tell me what’s the matter.”
He made her resume her seat by the table and pulled up one of the horsehair chairs for himself. Nur-el-Din wiped her eyes on a tiny lace handkerchief, but continued to sob and shudder at intervals.
“Marie, my maid,” she said in French in a broken voice, “joined me here to-day. She has told me of this dreadful murder!”
Desmond stiffened to attention. His mind swiftly reverted to the last woman he had seen cry, to Barbara Mackwayte discovering the loss of the package entrusted to her charge by the woman who sat before him.
“What murder?” he asked, striving to banish any trace of interest from his voice. He loathed the part he had to play. The dancer’s distress struck him as genuine.
“The murder of Monsieur Mackwayte,” said Nur-el-Din, and her tears broke forth anew.
“I have read of this in the newspapers,” said Desmond. “I remember you told me he was a friend of yours.”