14. She is painted all over from head to foot by the god Chitra Gupta with ornamental marks prepared by her attendants (the deeds of men), and perfumed with the essence of those deeds.
15. She dances and reels at the nod of her husband at the end of the Kalpas, and makes the mountains crack and crash at her foot-falls.
16. Behind her dance the peacocks of the god Kumára; and Kála the god of death staring with his three wide open eyes, utters his hideous cries (of destruction).
17. Death dances about in the form of the five headed Hara, with the loosened braids of hair upon him; while Destiny in the form of Gaurí, and her locks adorned with Mandára flowers keeps her pace with him.
18. This Destiny in her war-dance, bears a capacious gourd representing her big belly, and her body is adorned with hundreds of hollow human skulls jingling like the alms-pots of the Kapáli mendicants.
19. She has filled (reached) the sky with the emaciated skeleton of her body, and gets terrified at her all destructive figure.
20. The skulls of the dead of various shapes adorn her body like a beautiful garland of lotuses, which keep hanging to and fro during her dance at the end of a Kalpa age.
21. The horrible roaring of the giddy clouds Pushkara and Avarta at the end of the Kalpa, serves to represent the beating of her Damaru drum, and put to flight the heavenly choir of Tumburu.
22. As death dances along, the moon appears like his ear-ring, and the moon-beams and stars appear like his crest made of peacocks’ feathers.
23. The snow-capt Himálaya, appears like a circlet of bones in the upper loop of his right ear, and the mount Meru as a golden areola in that of the left.