Argument.—Division of the three gunas or qualities. Pure essence of the Gods Hara and others, nature of knowledge and ignorance, and other subjects.
RÁMA said, You said sir, that all formal bodies are representations of illusion or ignorance (Avidyá); but how do you account for the pure bodies of Hari, Hara and other divinities, and god-heads who are of pure essence in their embodied forms, and which cannot be the creation of our error or delusion. Please, sir, explain these clearly to (spun) me and remove my doubts and difficulties on the subject (The exhibition of gross bodies is the deception of our sense, but the appearance of pure spiritual forms, can not be production of ignorance or sensible deception. We may ignore the forms of material substances, but not those immaterial essences which are given in the sástras. gloss).
2. Vasishtha replied,—The perceptible world represents the manifestation of the one quiescent and all inherent soul, and exhibits the glory (ábhásha) of the essential intellect (sach-chit), which is beyond conception or thought divine.
3. This gives rise to the shape of a partial hypostasis, or there rises of itself hypostatics ([Sanskrit: kalákalarúpiní]), resembling the rolling fragment of a cloud appearing as a watery substance or filled with water. (This original fiction of the glory of God giving rise to the watery mist like a lighted lamp emitting the inky smoke, is represented in the common belief of dark ignorance ([Sanskrit: avidyá]) proceeding from the bright light of divine knowledge ([Sanskrit: vidyá]), and exhibited by the allegory of the black goddess of ignorance and illusion ([Sanskrit: avidyá] and [Sanskrit: máyá]) gushing out of the white and fair god lying inactive and dormant under her; she is hence designated by the various epithets of ([Sanskrit: shyámá, kálí, jaladha] and [Sanskrit: níradavaraná]) and so forth, and this is the whole mystery of the Sákta faith).
4. This hypostatic fragment is also conceived in its three different lights or phases, of rarity, density and rigidity or grossness, ([Sanskrit: sukhsmá; madhyá, sthúlá]) resembling the twilight, midday light, and darkness of the solar light. The first of these is called the mind or creative will, the second styled the Brahmá Hiranyagarbha or the creative power, and the third is known as Virát, the framer of the material frame, and as identic with creation itself.
5. These are again denominated the three qualities (trigunas), according to their different states, and these are the qualities of reality, brightness and darkness satva, rajas and tamas, which are designated also as the triple nature of things or their swabhávas or prakriti.
6. Know all nature to be characterised by ignorance of the triple states of the positive and comparative and superlative degrees; these are inbred in all living beings, except the Being that is beyond them, and which is the supreme one.
7. Again the three qualities of satva, rajas, and tamas or the positive, comparative and superlative, which are mentioned in this place, have each of them its subdivisions also into three kinds of the same name.
8. Thus the original Ignorance ([Sanskrit: avidyá]), becomes of nine kinds by difference of its several qualities; and whatever is seen or known here below, is included under one or of the various kinds. (Hence the saktas reckon ten different forms of [Sanskrit: mahávidyá], comprising the primary ignorance and its nine fold divisions).