60. The blue sky formed her covering veil about her head, the infernal region her footstool, the earth her bowels, and the several sides (or points of the compass) were so many arms on her.
61. The seas and their islands, formed the cavities and pimples in her person; the hills and rocks made her rib bones, and the winds of heaven were her vital airs.
62. As she continues in her dancing, the huge mountains and rocks swing and reel about her gigantic body, as her attendant satellites.
63. The mountain trees turning around her, appear to weave chaplets and dance about, in congratulation of her commencing a new cycle or kalpa.
64. The gods and demigods, the hairless serpents and worms, and all hairy bodies; are all but component parts of her body; and being unable to remain quiescent while she is in motion, are all turning round with her.
65. She weaves the three fold cord of the sacred thread—trivrit, consisting of acts, sacrifices and knowledge, which she proclaims aloud in the thundering voice of the triple vedas.
66. Before her (i.e. in the infinite space), there is no heaven or earth (i.e. up or down); but the one becomes the other, by its constant rotation like the wheel of a vehicle.
67. Her wide open nostrils constantly breathe out hoarse currents of her breath, which give rise to the winds of air, and their loud sufflations and whistlings.
68. Her hundred fold arms revolving in all the four directions, give the sky the appearance of a forest; filled with the tall heads of trees and their branches, shaken by a furious tornado in the air.
69. At last my steady eye-sight grew tired, with viewing the varieties of productions from her body; and their motions and movements, resembling the manners of an army in warfare.