90. All worldly objects are as fluctuating, as the changing shows in a magic play; they forsake their forms and assume others as quickly, as the fickle desires of whimsical boys are ever shifting from one object to another.
91. It is the combination of causal powers, which cause the production of bodies; and it is their separation which effects their dissolution; as it is the accumulation of grains, which makes a granary, and their abstraction which tends to its disappearance.
92. The Goddess now appears in one form, and then in another; she becomes now as small as the thumb finger, and in a moment fills the sky (with the bigness of her body).
93. That goddess is all in all, she is changed through every thing in world, and is the cosmos itself and the power of the intellect also; she fills the whole concavity of the sky with her form of pure vacuity.
94. She is the intellect, which embraces all, whatever is contained in the three worlds and in all the three times (of the past, present, and future). It is she that expands the worlds which are contained in her, as a painter draws out the figures which are pictured in the receptacle of his mind.
95. She is the all comprehensive and plastic nature or form of all things; and being one with the intellectual spirit, she is equally as calm and quiet as the other. Being thus uniform in her nature, she is varied to endless forms in the twinkling of her eye.
96. All these visibles appear in her, as marks of lotuses and carved figures are seen in a hollow stone (or in the perforated sáligram stones of gunduk). Her body is the hollow sphere of heaven, and her mind is full of all forms, appearing as waves in the depth of sea, or as the sights of things in the bosom of a crystal stone (as reflected in it by the Divine Intellect).
97. The very furious goddess Bhairaví—the consort of the dread god Bhairava—the lord of destruction, was thus dancing about with her fierce forms filling the whole firmament.
98. On one side the earth was burning with the fire, issuing from the eye on the fore-head of all destroying Rudra; and on the other was his consort Rudraní, dancing like a forest blown away by a hurricane.
99. She was armed more over with many other weapons, (beside those that are mentioned before); such as a spade, a mortar and pestle, a mallet, a mace &c.; which adorned her body as a garland of flowers.