"Perhaps," said Harley, with a smile, "I rather feel that you are above me. For what vantage-ground is so high as youth? Perhaps I may become jealous of you. It is well that she should learn to like one who is to be henceforth her guardian and protector. Yet, how can she like me as she ought, if her heart is to be full of you?"
The boy bowed his head; and Harley hastened to change the subject, and speak of letters and of glory. His words were eloquent, and his voice kindling; for he had been an enthusiast for fame in his boyhood; and in Leonard's, his own seemed to him to revive. But the poet's heart gave back no echo—suddenly it seemed void and desolate. Yet when Leonard walked back by the moonlight, he muttered to himself, "Strange—strange—so mere a child, this can not be love! Still what else to love is there left to me?"
And so he paused upon the bridge where he had so often stood with Helen, and on which he had found the protector that had given to her a home—to himself a career. And life seemed very long, and fame but a dreary phantom. Courage, still, Leonard! These are the sorrows of the heart that teach thee more than all the precepts of sage and critic.
Another day and Helen had left the shores of England, with her fanciful and dreaming guardian. Years will pass before our tale reopens. Life in all the forms we have seen it travels on. And the Squire farms and hunts; and the parson preaches and chides and soothes. And Riccabocca reads his Machiavelli, and sighs and smiles as he moralizes on Men and States. And Violante's dark eyes grow deeper and more spiritual in their lustre; and her beauty takes thought from solitary dreams. And Mr. Richard Avenel has his house in London, and the honorable Mrs. Avenel her opera box; and hard and dire is their struggle into fashion, and hotly does the new man, scorning the aristocracy, pant to become aristocrat. And Audley Egerton goes from the office to the Parliament, and drudges, and debates, and helps to govern the empire on which the sun never sets. Poor Sun, how tired he must be—but none more tired than the Government! And Randal Leslie has an excellent place in the bureau of a minister, and is looking to the time when he shall resign it to come into Parliament, and on that large arena turn knowledge into power. And meanwhile, he is much where he was with Audley Egerton; but he has established intimacy with the Squire, and visited Hazeldean twice, and examined the house and the map of the property—and very nearly fallen a second time into the Ha-ha; and the Squire believes that Randal Leslie alone can keep Frank out of mischief, and has spoken rough words to his Harry about Frank's continued extravagance. And Frank does continue to pursue pleasure; and is very miserable, and horribly in debt. And Madame di Negra has gone from London to Paris, and taken a tour into Switzerland, and come back to London again, and has grown very intimate with Randal Leslie; and Randal has introduced Frank to her; and Frank thinks her the loveliest woman in the world, and grossly slandered by certain evil tongues. And the brother of Madame di Negra is expected in England at last; and what with his repute for beauty and for wealth, people anticipate a sensation; and Leonard, and Harley, and Helen? Patience—they will all re-appear.
(TO BE CONTINUED.)
A SCENE FROM IRISH LIFE.
The moorland was wide, level, and black; black as night, if you could suppose night condensed on the surface of the earth, and that you could tread on solid darkness in the midst of day. The day itself was fast dropping into night, although it was dreary and gloomy at the best; for it was a November day. The moor, for miles around, was treeless and houseless; devoid of vegetation, except heather, which clad with its gloomy frieze coat the shivering landscape. At a distance you could discern, through the misty atmosphere, the outline of mountains apparently as bare and stony as this wilderness, which they bounded. There were no fields, no hedgerows, no marks of the hand of man, except the nakedness itself, which was the work of man in past ages; when, period after period, he had tramped over the scene with fire and sword, and left all that could not fly before him, either ashes to be scattered by the savage winds, or stems of trees, and carcases of men trodden into the swampy earth. As the Roman historian said of other destroyers, "They created solitude and called it peace." That all this was the work of man, and not of Nature, any one spot of this huge and howling wilderness could testify, if you would only turn up its sable surface. In its bosom lay thousands of ancient oaks and pines, black as ebony; which told, by their gigantic bulk, that forests must have once existed on this spot, as rich as the scene was now bleak. Nobler things than trees lay buried there; but were, for the most part, resolved into the substance of the inky earth. The dwellings of men had left few or no traces, for they had been consumed in flames; and the hearts that had loved, and suffered, and perished beneath the hand of violence and insult, were no longer human hearts, but slime. If a man were carried blindfold to that place, and asked when his eyes were unbandaged where he was, he would say—"Ireland!"
He would want no clew to the identity of the place, but the scene before him. There is no heath like an Irish heath. There is no desolation like an Irish desolation. Where Nature herself has spread the expanse of a solitude, it is a cheerful solitude. The air flows over it lovingly; the flowers nod and dance in gladness; the soil breathes up a spirit of wild fragrance, which communicates a buoyant sensation to the heart. You feel that you tread on ground where the peace of God, and not the "peace" of man created in the merciless hurricane of war, has sojourned: where the sun shone on creatures sporting on ground or on tree, as the Divine Goodness of the Universe meant them to sport: where the hunter disturbed alone the enjoyment of the lower animals by his own boisterous joy: where the traveler sung as he went over it, because he felt a spring of inexpressible music in his heart: where the weary wayfarer sat beneath a bush, and blessed God, though his limbs ached with travel, and his goal was far off. In God's deserts dwells gladness; in man's deserts, death. A melancholy smites you as you enter them. There is a darkness from the past that envelops your heart, and the moans and sighs of ten-times perpetrated misery seem still to live in the very winds.
One shallow, and widely-spread stream struggled through the moor; sometimes between masses of gray stone. Sedges and the white-headed cotton-rush whistled on its margin, and on island-like expanses that here and there rose above the surface of its middle course.