"Look at that picture for five minutes, while I fetch something," said he, pointing to a portrait, evidently just rescued from damp and destruction, that leant against the wall.

I obeyed. It represented a lady in a white morning dress of the fashion of a century ago. She was young and beautiful, with bright hair, and blue eyes of infinite depth and lustre. In her bosom she wore a curiously-shaped ruby brooch; a bracelet, set with the same stones, was clasped round the white arm that supported her head; and on her knee was an open book. Inscribed on its page was the name "Cicely Clayton," and the initials "L.E." She was apparently seated in some church or chapel, for over her head was a grotesque Gothic corbel, and the polished oak of a sombre-looking organ was visible in the back-ground. My eyes had wandered from the mild face, and I was pondering on the significance of the Cain and Abel on the carving, when L. returned.

"I see you are bent on hearing the legend. Professionally connected as I am with the Evrards and their affairs, it is not my place to encourage such tales; but you are nobody; and," he added, smiling, "I rather want to know your opinion of my style: I may turn author one of these days." So saying, he handed me a few sheets of exceedingly legal-looking paper, and, wishing me pleasant dreams, left me to the perusal of the following story.

From the time of the fourth Henry to the beginning of the present century, Briarhurst was in the possession of the Evrard family. The last baronet was a Sir Lambert Evrard; at the time I speak of, a gallant, hearty gentleman, who, after a youth spent amidst the brilliance and gayety of the court, the acquaintance of Walpole, and the worshiper of Lady Montague had, in the evening of his days, settled down at his country seat, a quiet country gentleman. He was not rich, for his father's extravagance had mortgaged and wasted every thing available. Worldly wisdom, undoubtedly, would have had Sir Lambert marry an heiress, but, most perversely, he chose the Daphne of his early love sonnets—a lady whose sweet voice and sparkling eyes had captivated him on his Italian travels. His wife had no fortune, so he could not afford to keep up a town house, and, soon after the birth of his first son, came to reside permanently at Briarhurst. They had two sons, whom the father, before they were three years old, had respectively destined for the bar and the army, and his time was principally occupied in their education. It was natural, in the then state of his affairs, that he should look forward to his sons distinguishing themselves, as the only means of restoring the family to its former position. Circumstances, however, pointed out another way by which the desired wealth might be more easily secured. On the death of a distant relative, Sir Lambert became the guardian of an orphan heiress; he earnestly hoped his eldest son would marry her, and thus fulfill the wish of his life. Contrary to the custom of the heroes and heroines of romance, who always wantonly thwart the desires of their parents and guardians in affairs of matrimony, young Lambert Evrard and his beautiful cousin, Cicely Clayton, glided imperceptibly from childhood's pretty playing at man and wife to the more serious kind of love-making, and by the time they had reached respectively the ages of twenty and seventeen, their union was fixed on.

The young man was of a strangely meditative turn of mind; he was very studious, too, and had imbued his ladye love with a taste for the sombre musings and sage books he loved himself. There is one spot in the old garden—a knot of lindens shading a broken figure of Niobe—where I have often fancied those two lovers might have sat. It seems just the place for such an earnest, thoughtful love as theirs was, to hold communion in. Lambert inherited from his mother a rare skill in music; and he and Cicely would spend hours at the organ in the chapel, his fingers seeming unconsciously to wander over the keys, and his spirit apparently floating heavenward in the tide of glorious anthem and solemn symphony his art awakened. He was a painter, too; and many an hour would she sit before him as he sketched her lovely face, sometimes in the simple dress she wore at her books or work, at other times as the garlanded Pastorella, or the green-robed Laura of their favorite poets. His brother Maurice was seldom their companion in these pursuits. In disposition, and even in person, he was the very opposite of Lambert. When a child, his temper had been morose and reserved; and, as he grew up, all the unamiable points of his character became more conspicuous. In fact, he was galled perpetually by the manifest superiority of his brother, by his success in all he undertook, by his popularity with the tenantry, by Cicely's preference for him. He had great command of temper, however, and contrived to prevent any outbreaks of passion before his father or Cicely; but when alone with Lambert he would vent his ill-humor in sarcasms and taunts that would have bred innumerable quarrels, had the temper of the elder brother been a whit less equable than it was. But no human being is less prone to seek offense or contention than a gentle scholar whose poet-mind is just awakened by the spirit of love; and such was Lambert Evrard.

It was settled that the wedding should take place on Cicely's eighteenth birthday; and preparations had long been making for the ceremony and its attendant festival, when the destined bridegroom was suddenly taken ill. His physician never assigned a name to his complaint, and its origin appeared unaccountable. He was in danger for weeks; and on his being sufficiently recovered was immediately ordered abroad for change of air. The marriage was, of course, deferred till his health was re-established. Maurice, whose attention to his sick brother had been as exemplary as it was unexpected, accompanied him to the Continent. They had not been abroad three months before letters brought tidings of his brother's rapid convalescence. The soft Italian air was doing wonders for his enfeebled constitution; he was comparatively well, and they purposed to prolong their absence, and convert the quest of health into a tour of pleasure. We may be sure that with the announcement of their intention came many a line of kind regret and wistful longing (lines destined to be read alone and often), many a leaf plucked from the haunts of song, and many a plaintive verse inscribed to Cicely. There were tears, perhaps, when the news of lengthened separation came; but the lady consoled herself with the reflection that it would prevent Lambert leaving her after their marriage, and give them both many happy hours of converse in the sunny days to come. All the hopes and promises of future happiness, however, were fated to be disappointed. The next letter that arrived brought news of a fearful calamity. Lambert Evrard was dead! The particulars of the accident were thus given in a letter written by a friend of Maurice's, for he himself was too much afflicted by the event to give any detailed account. It appeared that the brothers had set out with the intention of ascending one of the loftiest peaks in the Tyrol, and had started overnight, that they might reach the summit in time to see the glories of an Alpine sunrise. The guide left them for a moment to see whether a stream was fordable, when Lambert, attempting, against his brother's advice, to pass a ledge of rock unassisted by the mountaineer's pole, fell into a chasm between the glaciers.

The body was never found. It was said that for days Maurice remained in the neighborhood, offering immense rewards to any peasant who would even commence a search for the remains; but the men knew too well the hopelessness and peril of the task to attempt it. Finding this unavailing, he left the place. His return was delayed by severe illness; but at length, in one gray autumn twilight, a traveling-carriage dashed up the shadowy avenue of Briarhurst, and Maurice was received in his father's hall—a mourner amid mourners. He was much altered. The demure severity of his old manner was changed to at least an appearance of candor and trustfulness. Grief for his brother seemed to have bettered his whole nature, to have opened his heart to the influences of kindness and gentleness—to have made him, in short, more lovable. Such appeared the best interpretation of the change that was wrought in him, and which showed itself conspicuously in his conduct to the afflicted ones around him. Kindly and thoughtfully did he console the anguish of his parents, and with innumerable offices of delicate care and thoughtful consideration did he show his respect and sympathy for Cicely's affliction. By no intrusive efforts at comforting, but silently and gently did he seek to wean his cousin from the remembrance of her bereavement. By sparing her feelings in every possible way, by avoiding the mention of Lambert's name, save in a manner calculated to awaken those tender memories which are the softeners of grief, he strove to divert Cicely's mind from dwelling too constantly on her dead betrothed; and thus, without appearing to drive away the impression, he gradually supplied her with other objects and pursuits; and though at first her walks were always to the scenes he had loved, and her mornings spent over the books he had read, their beauties were soon explored with other interests than those which arose merely from the pleasures of remembrance. The chapel which had been wont to recall Lambert most painfully to her mind was now unentered.

The dell of lindens, through the bright leaves of which the sunbeams had so often poured upon his open book, was now unfrequented. With none of the ardor of first love, but with a regard originating in their mutual sharing of the same grief, and nurtured by gratitude for his constant sympathy, Cicely accepted Maurice for her lover; then, in obedience to the earnest wish of those whom she had always reverenced as parents, consented to be his wife. It had ever been the fervent hope of Sir Lambert that he might live to see the wealth of his family restored before he died. The plan for the accomplishment of this wish of a life had been once fatally disappointed. It was natural, then, that he should rejoice in this new prospect of its realization. Lady Evrard also was desirous that the stain the baronet had brought on the family escutcheon by his marriage with her should be blotted out. Sir Lambert was a kind husband in the main, but his wife's penetration could not help perceiving that he often inwardly sighed for the society of his aristocratic neighbors, when his inability to return their hospitality made him refuse their invitations. She had another inducement. Her mother's eye had observed with pleasure what seemed to her the beneficial influence of adversity upon her wayward son's character, and she hoped the gentleness of his cousin would complete his reformation. All seemed to favor the alliance. The day was fixed; and Cicely Clayton, in a strange mood of alternating doubt and hope, arrayed herself for her bridal. The hour had come. The wedding party were assembled in the chapel. Few had been invited, for it had been the express wish of the bride that the rite should be celebrated as privately as possible. Two bridemaids, daughters of a neighboring gentleman, Lord R., a friend of the late Lambert, and the family lawyer were the only bidden guests. They approached the communion rails. The ruby-tinged sunbeams streamed through the graceful trefoil on the white-robed Cicely and on the trembling Maurice. There was need of something to lend a glow to his haggard face, for he was ghastly pale. No artist's tint was half so radiant as the rising blush upon her cheek. The minister had commenced the service; the address had been read; the irrevocable "I will" had been uttered in a stifled whisper by the bridegroom, had been murmured in accents of gentlest music by the bride, when, as Maurice received the ring from the priest, a strange unearthly sound rang through the chapel—a strange interruption stayed every hand, hushed every voice. From the organ (untouched since Lambert in his happy youth awoke its melody) burst forth a wailing, plaintive sound, more like a restless spirit's cry, than any mortal note—so loud, so long, so wild, that it seemed to rack the senses that it held in horrible uncertainty till it was done. Such a strain that nameless minstrel might have used to kindle prophet-fire in Elisha. Then it stopped. But only for an instant; and a dirge, sad as the contrite's weeping, clear as the accents of forgiveness, came from that wondrous organ. Such a strain the shepherd-harper might have woke who calmed the demon rage in Saul.

But the second solemn threne was more terrible than the first crashing peal, for it called up an awful memory and a dark suspicion. It was the very same air that Lambert had composed and played the night before he left. With a cry as of recognition the mother stood expectant. With clasped hands and broken voice the father prayed. Cicely and Maurice thought only of that strain as they had heard it first. The bride remembered how on that sad night Lambert had sought to smile away her tears, and called them dearest tributes to his music.

It seemed like listening to his voice to hear again that unforgotten melody; she listened then unfearing, in very delight of spirit; but when the dirge was done, the influence that had upheld her in such ecstasy gave way too, and she fell fainting on the steps. The bridegroom remembered the purpose that was in his heart that night, and which had made the music jarring discord. In his ears the sound was but the voice of retribution, and, in an agony of passion, he hurried down the aisle to see who woke a strain so dreadful to him. But no human hand had touched the keys.