Piroo was in his element, and sang and danced with great success, for the arrack was in his veins, and at such times he could be the antipodes of his morose self. His dancing was much applauded. But there was Bhuggoo, the sweeper, from the city, who had a reputation for dancing, and was in great request at weddings in consequence, and he danced against Piroo, and so elegant and ingenious were his contortions that he was voted the better. Then he changed his dance to one in which he caricatured Piroo so cleverly in every turn and gesture that the people yelled and laughed.
This so incensed Piroo that he struck the man; but the sweeper, who was generally accustomed to winding up his performance by a grand broom fight with some brother of the same craft, was quite ready for an affair that could only increase his popularity. Catching up his jharroo, or broom, he began to shower blows upon the unfortunate Piroo, yet never ceasing to dance round him so grotesquely that the fight was too much of a farce for any one to think of interfering. Yet the blows went home pretty hard, and as the broom was a sort of besom made of the springy ribs of the palm-leaf it stung sharply where it found the naked flesh.
It is a great indignity to be beaten by the broom of a sweeper, and Piroo, maddened with rage, flew at the throat of his rival. But Bhuggoo, the sweeper, was very nimble, and as the end of a jharroo in the face feels like the back of a porcupine, you may guess it is the most effective way of stopping a rush. So Piroo, baffled and humiliated, left the sweeper victor of the field and fled amid great shouts of laughter. But his rage had not died in him, and more arrack made him mad; else why should he have done the foolish thing that followed?
Finding Maharaj had pulled up one of his picket pins, he took a heavy piece of firewood and dashed it upon his tender toe-nails, while he shouted all the abuse that elephants know only accompanies severe punishment. Now Maharaj, who would take punishment quietly from Buldeo, the old mahout, would not stand it from any other; besides, he was already excited with all the shouting and tamasha going on, and he had had a good bit of arrack in his cakes that evening; so when the log crashed down on his feet he trumpeted with pain, and, seizing Piroo in his trunk, lifted him on high, preparatory to dashing him to earth and stamping his life out.
SEIZING PIROO IN HIS TRUNK, HE LIFTED HIM ON HIGH.
But fortune was in favour of Piroo for a time, and the big cummerbund he wore had got loose with dancing, so it came undone, and Piroo slipped down its length to the ground, while Maharaj was left holding the loose cloth in his trunk.
Then Piroo fled for his life, and ran into a grass-thatched hut that stood close by; but the elephant, pulling out his picket pins like a couple of toothpicks, reached the hut in a stride, and, putting his trunk through the thatch as if it had been a sheet of paper, felt round for the man inside and, seizing him, dragged him forth. The people yelled, and some came running with fire-brands to scare him, but before any could reach him Maharaj had knocked one of his great fore-feet against the head of the unfortunate Piroo, and he fell to the ground lifeless.
The villagers were terror-stricken and ran to hide in their huts. Tippoo, who was nearest the elephant, ran also, and Alec was about to run when he saw Maharaj single out Tippoo and chase him. The boy fled, and his flying feet hardly seemed to touch the earth, but Maharaj with long swinging strides covered the ground much faster, and in a few moments there followed a shriek of despair and Tippoo was struggling helplessly fifteen feet in the air in the grasp of that terrible trunk.