“Poor ladies! You have so many,” sighed the bishop, sympathetically.
“Of course we have, we multiply them by three. To sedulously observe all tragic and harrowing anniversaries is a part of our religion. ‘It’s just five years ago to-day since Edwin left me for another,’ she says, mournfully, and then, shrouding herself in gloom, lives over each poignant, past moment. If anyone ask the cause of her dejected demeanor, she murmurs, in a sad, sweet voice: ‘It is an anniversary. Would you like to hear of my grief?’
“But what does a man do? He says: ‘Jove! It’s just a year ago to-morrow since Jemima was run down by an automobile. I must keep myself well amused or it may be a depressing occasion.’
“Seriously, bishop, if I were you, I’d have a phonograph in my study, and the moment a woman set foot within the door it should begin that good old hymn: ‘Go bury thy sorrow, the world hath its share.’”
“But what can the poor things do,” asked the bishop, “if they may not turn to their clergyman for consolation and comfort?”
“Twang on Emerson’s iron string: ‘Trust thyself.’ Why always twine about a pole, like a limp pea vine, and flop on the ground the minute the upholding stick is withdrawn? Imagine the emotions of the pole, if it were sentient! At first it would say: ‘Delicate, dainty pea vine, lean on me, the clasp of your myriad tendrils fills me with rapture. How sweet is your adorable dependence!’ But in time: ‘Oh! stifling, smothering pea vine, I am suffocated by your deadening passivity. Would I could tear myself free from your throbbing tendrils.’”
“You evidently believe in the dead burying their dead,” said the bishop, meditatively.
“No sounder philosophy was ever enjoined on a living world. Let the dead—dead pasts, dead lives, dead loves, dead memories—bury their dead. Ah, bishop, the great art of life is the art of forgetting.”
“You, Madame Egeria, are inclined to philosophize.”
“Sir, do not remind me of it! When we offer sacrifices at the altar of laughter, you may look for gray hairs and crows’ feet. Tears and passion belong to youth: that season of fleeting and exquisite joys, of tragic and fugitive griefs, of tempestuous and restless longings. Youth, with the passionate voice of Maurice de Guerin, cries eternally: ‘The road of the wayfarer is a joyous one. Ah, who shall set me adrift upon the waters of the Nile?’”