On the sidewalk I tried to figure out if there had been knockout drops in the coffee Natica had brewed for me. In any one of the forty-eight hours ensuing, I might have rung up the Draytons’ on the telephone, and told her that I had come to my senses. But I didn’t do anything of the sort. Instead, I hunted up a newspaper chap I knew, and he put me next to “Boiler-plate” Hartopp at the Metropole.
The bruiser wasn’t as bad sort as I had fancied him. He was an Englishman all right—a cut below middle class; you could tell that by the way he clipped his initial h’s off and on. I tried the ice at first—it’s always best when you don’t know the exact thickness of your frozen water. The way I tried it was to toss a flower or two at Maisie Hartopp and her “Jo-Jo” song.
He rose sure enough, and it didn’t take me a quarter hour to see that the pug was really bowled out by the parcel of stage skirts who wore his name on the Gaiety bills. This made it a warmer game than it might have been otherwise, but I was in for it now, and I made the date.
No, I didn’t mention Natica. Even a broken-to-harness shawl carrier has a shred of cautious decency about him. But I gabbled lightly about a certain feminine party who was keen on exemplars of the genuine thing in the line of the manly art. Whereupon “Boilerplate” acquired a pouter-pigeon chest, which fairly bulged over the bar railing, and gave me his word of honor he’d be waiting at Forty-fourth Street about eleven on Friday. He intimated, ere I left, that he’d bring his festive accouterments with him. And he did.
We were a bit late—Natica and I. It must have been a quarter past the hour when we drove up to Cherry’s. I felt reasonably certain that if Jack Drayton were guarding a champagne bucket by the corner table that night, he was located then. In the offing, miserably self-conscious, a crush hat on the back of his really fine head, and two or three small locomotive headlights glinting from his broad expanse of evening shirt, was “Boiler-plate” Hartopp. The flunkeys were regarding him curiously, and once a waiter-captain came out and gave him what seemed to be an unsatisfactory report.
I think the man was just about to take the count from sheer nerves, when he made me out in the doorway. Natica winked—actually winked at me—as he floundered over his share of the introduction. Looking at her, and faintly divining her mood that night, I felt sorry for Jack, for “Boiler-plate” and for myself. I left them for a moment and went in to see about my table. Two minutes later I emerged, to face Drayton and the Hartopp unloading from an electric hansom. The under-toned remark of one of the footman came to me: “A bit behind schedule time to-night, eh, Charley?”
There wasn’t anything to do then, for they were fair inside. “Boiler-plate” was finishing some elephantine pleasantry to Natica, when he saw what I saw. A foolish grin rippled across his wide face. “Hullo!” he said to the Hartopp, who looked properly peevish, and then waspish, as she let her glance travel to Natica, who stood perfectly poised and, I fancied, a trifle expectant. Drayton eyed them together and in particular. The color streaked his forehead and faded out. Then he saw me, and, although he never may have murder in his eyes again, it was there at that choice moment. We weren’t at all spectacular, you mustn’t think that. It was all very quick, and there were a lot of people coming and going.
She was in instant command of the situation. Why shouldn’t she have been, having created it? And unexpectedly, suddenly as she had encountered her quarry, equally suddenly she shifted her position, without the time to take me into her confidence.
“Don’t bother about our table, Percy,” she said. “Now that we’ve met friends, it will be jollier to dine en famille. It will be ever so much nicer than eating in a stuffy restaurant, and the butler won’t have gone to bed yet. Run out and get us a theater wagon.”
I went out to the carriage man in a trance. The gods, of a deed, were fighting furiously on Natica’s side—for she could not have foreseen this vantage, readily as she swung her attack by its aid. Exquisite torture, truly, to flaunt a husband’s folly in his own face, over his own mahogany, with the source of that folly looking on. Drayton’s bounden civility to his wife, and to the other woman, must make him present himself as a target. He knew it, his wife knew it; as yet the other woman but dimly suspected it—not being over subtle—and it smote me in the face continuously. The puppet always feels the most cut up at times like these. In a way, it is because his vanity is being seared. Mine fairly crackled.