“Poor soul,” thought the girl, “here is the decorative instinct untrammeled by imitation. Individuality inherent! Unkind fate, furnishing no models, has produced originality.” She walked toward the larger table for closer scrutiny just as Miss Pamela re-entered the room. A faint accent of gratification colored the latter’s voice.
“I see you looking at them stands,” she said; “mosaic, I call ’em. I made every stitch of ’em myself. Soft pine they are; my brother Nathan gave me the wood, and I’d been saving the pieces of crockery for years. You cut places in the wood and stick ’em in close in patterns with colors that look pretty together—sometimes you have to use a hammer—and then you sandpaper the rough places—it’s terrible on the hands—and put on a couple of coats o’ shellac. I call ’em pretty handsome. Cousin Parthenia Roscoe was here the day I was finishing them, and I tell you she admired ’em. Those crackle ware pieces were from an old pitcher of her mother’s that came to me—it got broken, and I worked ’em in at the corners. I don’t set no great store by that alum cross. They’re kind o’ common, but it turned out so nice I let it stand there. How did I make it? Why you just take a cross of wood and wind it with yarn and let it hang overnight in a solution of alum and water, and in the morning it’s all crystal. ’Tain’t no work; but, land’s sakes! there’s enough to make up in those wax autumn leaves; I call that a likely spray of woodbine. It took me the bigger part of three mornings to get it done, and ’twas in the winter I made it, so I didn’t have nothing to go by but my memory.”
She pinched the stiff little garland into a more aggressive attitude, and turned, with a sort of caress, to a jar of colored pampas grass that flaunted itself in the corner. Annie’s eyes followed the motion, and Miss Pamela answered the question in them by handing her the jar for a closer inspection.
There was pride in her voice as she spoke, though her tone was casual. “It’s just one of my what-not vases, I call ’em. I invented it myself. ’Twas a blacking bottle, to begin with, but I covered it with putty, good and thick, and then I stuck all them things on it. Here’s a peach-stone basket and a couple of Florida beans and some seashells that were brought me from down East. The sleeve buttons on the front were broken, but I think they stand up well, and that gold paint does set off the whole. It’s been imitated, you’ll find,” she added, dismally, “but the idea’s original with me.”
She replaced the jar in its corner. Then, as a sudden realization of the duty of a hostess seized her, she seated herself decorously in a stiff-backed chair opposite her visitor, and, adjusting primly what is technically known as a “front breadth,” gave herself unreservedly to polite inquiry.
“Is your health good?” she asked, with an air of expecting the worst.
“Oh, very good, indeed,” said Annie, conscious that she brought disappointment on the wings of her voice.
“It has been a sickly season,” remarked the elder lady.
“I am always well,” laughed Annie, but it was the ghost of a laugh.
“And is Mr. Bangs well, and your aunt?” The voice rose at the last word—expectantly. And Annie clutched at the fact that she had left aunt Mary lying down at home.