The first birds I saw were the rugged and noisy English sparrows, written down in most bird books as “pests,” but I confess I could not resist giving them a crumb or two, for they appeal to my sympathies much as the plucky little gamin newsboys of the streets do, and then, too, I have learned that their loud chatter and rush for food attract more desirable acquaintances. I soon heard the sharp, shrill peep of the white-throated sparrows, and listened to their scratching “with both feet” under the bushes. Now and then one would try his throat with his full song, two sweet whistles followed by very plain calls for “Peabody, peabody, peabody.” They are called the peabody bird by many. There is no mistaking this beautiful sparrow. Among a bunch of his noisy English neighbors the rich brown of his feathers is easily seen, and the three white stripes on his head and the white patch on the throat attract your eye at once. In a group of thirty or forty whitethroats that were feeding on my bird seed I noticed also two plump song sparrows. They are brown, too, but smaller than the whitethroats, and their breasts are streaked with dark-brown stripes, with a spot right in the center. This is the sparrow that makes music for us from very early spring until late in the autumn. I have heard them in February, with the snow yet on the ground, perched on the tip of some bush and singing away with a joyfulness that made everything take on a more cheerful look. While I was watching the whitethroats I heard the jolly little song that I especially hoped for, and very soon had a near view of wee Mr. Chickadee himself, with his jet-black head, throat, and chin, and gray cheeks. He, in company with several of his friends, came down to feed at once, and hopped about my feet and a near-by bench to pick up the bits of peanut I had dropped for his benefit. The chickadees are always “chummy” little birds, and seem to have found their human acquaintances in general pretty good sort of people. After a time I put some peanut crumbs in my hand and held it out invitingly. The chickadees would alight on the tree over my head, sing their song, look down inquiringly, and then fly off, apparently interested in searching for some important business they had overlooked on the bark of another tree. Gradually, however, one became more familiar and finally lighted on my hand with entire confidence, selected the largest piece of peanut to be had, and flew away to eat it. He held the bit between both feet on a bench, and leaned forward and pecked away until it disappeared. Occasionally he would hold a small piece in one foot only. One little fellow stopped to sing me his Chick-a-dee-dee-dee, as he perched on my little finger, before selecting his morsel. They followed me about the paths, and wherever I stopped there were sure to be several chickadees peeping about the tree trunks asking me to please give them more peanuts. While this was going on I heard a hoarse “Quank, quank, quank!” that sounded very near, and on looking up saw a white-breasted nuthatch, a blue-gray bird with a very distinct black band on the top of his head that extends back across his shoulders. His short tail and legs make him look very funny when on the ground. On a tree, however, he is a regular circus, walking head up or head down on the limbs and trunk, and now and then doing the giant swing, completely circling some twig, just to show what he can do when he tries. He was attracted by the noise and conduct of the chickadees, his winter companions, and was calling for something for himself. His long, slim bill is not made for cracking things as the sparrows can with their short, strong bills, but he punches holes in them very much as the woodpeckers do. When he came down to the path and picked up a peanut he flew off to a near-by tree and hunted up and down until he found a place in the bark where he could wedge the nut in and then proceeded to hatch or crack it into bits to suit his taste. A brown creeper was walking up his tree a short distance away very much as the nuthatch does, poking his long, curved bill into the bark, though I did not see him for some time, as his brown and gray feathers were so like the color of the tree on which he walked. He circles round the trunk or limb, and you have to keep a sharp lookout to get more than an occasional rapid glance at him. A loud rapping and a noise that sounded a good deal like a giggle attracted my attention to a downy black-and-white woodpecker, with a bright-red spot on the back of his head. He was hammering away with all his might, and the limb on which he hung, back down, fairly rattled as he drove his chisel-like bill into the wood. Another woodpecker, the big and beautifully marked flicker, with his brown back barred with black, his spotted breast with its big black crescent and the red band on the back of his head, stopped for a minute or two on a tree a hundred feet away. His cry of alarm rang out shrilly as he flew away. All of these birds are handsomely marked, though none of them compare, in the mere matter of color, with some of the many beautiful summer species. There was one bird there that day, though, whose brilliant plumage and altogether tropical aspect comes as a great surprise to the unaccustomed visitor to the park in winter. As he lighted on the snow-covered ground among a group of feeding whitethroats the cardinal, with his splendid crest, stood out like a jet of flame, and the black spot at the base of his bill only made the rest of him seem the brighter. Mr. and Mrs. Cardinal spend their winters regularly in Central Park, and I hear or see them every time I go there. His only note now is a sharp squeak of alarm, but a little later he will perch high up in some tree near the lake and awake the echoes with his loud whistling. High over my head, mere specks of shining white against the blue-gray of the sky, I could see several gulls floating along on their way to the reservoir, where hundreds of them often gather in the open water that is usually found in the center. As I walked toward the entrance of the park, on my way to the car, I heard, on some cedars near the border of the lake, the gurgling music of a party of goldfinches. They had on their winter coats of yellowish brown, but their song and dipping flight made them easily recognizable.
Once you become acquainted with a few birds, every flutter of a wing or cheep or peep becomes an object of interest and a motive for many days in the open. It is very easy also to sentimentalize about Nature and to assume a patronizing air toward her, but the more you know of her and her ways the sooner you get over this. You can not help being impressed with the fact that the life and ways of the animals and birds are, after all, in many ways very like your own. Birds, you will find, are very human indeed, and show a wide diversity in disposition and habit. There is one thing sure to follow an interest of this kind, and that is a greater respect and care for wild life. The cruelty of egg-collecting and the wanton destruction of birds for millinery purposes are becoming less tolerable every year in civilized communities.
OLD RATTLER AND THE KING SNAKE.
By DAVID STARR JORDAN,
PRESIDENT OF LELAND STANFORD JUNIOR UNIVERSITY.
“I only know thee humble, bold,
Haughty, with miseries untold,
And the old curse that left thee cold,
And drove thee ever to the sun
On blistering rocks....
Thou whose fame
Searchest the grass with tongue of flame,
Making all creatures seem thy game,
When the whole woods before thee run,
Asked but—when all is said and done—
To lie, untrodden, in the sun!”—Bret Harte.
Old Rattler was a snake, of course, and he lived in the King’s River Cañon, high up and down deep in the mountains of California.
He had a hole behind and below a large, flat granite rock, not far from the river, and he called it his home; for in it he slept all night and all winter, but when the sun came back in the spring and took the frost out of the air and the rocks, then he crawled out to lie until he got warm. The stream was clear and swift in the cañon, the waterfalls sang in the side gulch of Roaring River, the wind rustled in the long needles of the yellow pines, and the birds called to their mates in the branches. But Old Rattler did not care for such things. He was just a snake, you know, and his neighbors did not think him a good snake at that, for he was surly and silent, and his big, three-cornered, “coffin-shaped” head, set on a slim, flat neck, was very ugly to see. But when he opened his mouth he was uglier still, for in his upper jaw he had two long fangs, and each one was filled with deadly poison. His vicious old head was covered with gray and wrinkled scales, and his black, beadlike eyes snapped when he opened his mouth to find out whether his fangs were both in working order.
Old Rattler was pretty stiff when he first came from his hole on the morning of this story. He had lain all night coiled up like a rope among the rocks, and his tail felt very cold. But the glad sun warmed the cockles of his heart, and in an hour or two he became limber, and this made him happy in his snaky fashion. But, being warm, he began to be hungry, for it had been a whole month since he had eaten anything. When the first new moon of August came, his skin loosened everywhere and slipped down over his eyes like a veil, so that he could see nothing about him, and could not hunt for frogs by the river nor for chipmunks among the trees. But with the new moon of September all this was over. The rusty brown old coat was changed for a new suit of gray and black, and the diamond-shaped checkers all over it were clean and shiny as a set of new clothes ought to be.
There was a little striped chipmunk running up and down the sugar-pine tree over his head, pursing his little mouth and throwing himself into pretty attitudes, as though he were the center of an admiring audience, and Old Rattler kept a steady eye on him. But he was in no hurry about it all. He must first get the kinks out of his neck, and the cold cramps from his tail. There was an old curse on his family, so the other beasts had heard, that kept him always cold, and his tail was the coldest part of all. So he shook it a little, just to show that it was growing limber, and the bone clappers on the end rustled with a sharp, angry noise. Fifteen rattles he had in all—fifteen and a button—and to have so many showed that he was no common member of his hated family. Then he shook his tail again, and more sharply. This was to show all the world that he, Old Rattler, was wide awake, and whoever stepped on him would better look out. Then all the big beasts and little beasts who heard the noise fled away just as fast as ever they could; and to run away was the best thing they could do, for when Old Rattler struck one of them with his fangs all was over with him. So there were many in the cañon, beasts and birds and snakes too, who hated Old Rattler, but only a few dared face him. And one of these was Glittershield,[B] whom men call the King of Snakes, and in a minute I shall tell you why.
[B] Lampropeltis zonatus.